Revelation 8-11 as a New Exodus
St. John the Evangelist at Patmos
Tobias Verhaecht
Could it really be true that God intends to snatch His people out of this earth just before the whole thing blows up, or is that just wishful thinking? This is something Don Merritt addresses in his recent post, “Revelation 8-11 as a New Exodus”. Don’s blog, The Life Project: Finding Clear and Simple Faith, is a straightforward examination of what Scripture says about how the disciples of Messiah Yeshua (Jesus Christ) should live. His approach is Christian rather than Hebrew Roots or Messianic, so there are some points where we do not exactly agree. Even so, I have found his commentary insightful and instructive.
In the midst of this very busy summer the best I have been able to do is file away the email notifications of Don’s posts on Revelation in hope that I will be able to read the entire series. The notice of this particular post, however, got my attention immediately, and I had to read it immediately. I was not disappointed. This is the first time I can recall seeing a Christian commentator make the connection between the First Exodus and the coming Second Exodus that will restore all of YHVH’s people to the land He promised to the descendants of Abraham, Isaac, and Jacob – both the natural descendants and those who are “grafted in” to the nation of Israel through faith in Messiah and His redemptive work. Don’s post is a starting point for further investigation. After you read it, check out “True Confessions of a Former Premillennialist”, another Life Project post in which Don explains the spiritual journey that brought him to his current understanding of the end of this present age.
Revelation 8-11 as a New Exodus
Don Merritt
Posted on The Life Project, July 23, 2015
I mentioned earlier that there is a parallel structure between the story of the Exodus and John’s vision in Revelation 8-11 that might help us to understand this section better or more easily. To show you what I mean I have set out the parallel below. Take a look, and let’s see what you think…
Please click here to continue reading
Fox Byte 5775 #25: Tzav (Command)
צַו
Operating in deadly environments. Clockwise from top: James Franciscus, Gene Hackman, and Richard Crenna in the 1969 space drama Marooned (photo: Movie Hunger); Peter Coyote, Samuel L. Jackson, and Dustin Hoffman under the sea in Sphere (photo: Torrent Garden); Gregory Peck sends John Meillon ashore in the radiation charged atmosphere of San Diego in the film adaptation of On the Beach (photo: Senses of Cinema); Dustin Hoffman in a virus-infected hot zone in Outbreak (photo: ET Online).
Consider the fragility of human existence. We survive within a specific set of environmental parameters – a fixed range of temperature, hydration, radiation, and atmospheric content. From a cosmic perspective the margin of error is very small; the slightest adjustment in even a single factor, such as the amount of oxygen, quickly moves the environment from pleasant to deadly. Yet we have learned how to venture into the realm of the deadly when necessary. Thanks to protective clothing, equipment, and protocols, our species can operate within the vacuum of space, in the ocean’s depths, in the radiation-charged atmosphere of a nuclear reactor, and in the hot zone of an infectious disease laboratory.
We venture into these deadly environments, but we do not live there. We cannot survive there without observing the strictest standards. Those who enter these realms understand this. Astronauts, deep sea explorers, nuclear engineers, and epidemiologists are professionals who have answered the call to highly specialized career fields. Not all who enter the paths of these professions advance to the point that they can operate confidently in the most dangerous places. The selection and training standards must be established at the highest possible levels for the simple reason that the slightest error can produce lethal results. Richard Preston explained this principle in The Hot Zone, an investigative look into the origins of viral hemorrhagic fevers like Ebola. We learn from his book that the protocols for entering, working in, and leaving an infectious disease lab are elaborate and time-consuming, but necessary. No amount of caution is excessive when microscopic killers can infiltrate through the tiniest puncture of a protective suit or escape through an improper seal of an airlock. The viruses create the hot zone, whether it is in the lab or in the human body. Because of the radical transformative nature of these microorganisms, the highly trained professionals who work with viruses like Ebola in a very real sense act as mediators between them and the general population.
In fact, the role of these professionals is not unlike the role of the Levitical priests.
Fox Byte 5775 #22-23: Vayakhel (And He Assembled) / Pekudei (Accounts Of)
וַיַּקְהֵל / פְקוּדֵיּ
The Traveler (Eric Menyuk) and Wesley (Wil Wheaton) discuss the connection of Space and Time and Thought in “Where No One Has Gone Before” (Star Trek: The Next Generation, Episode 5. Photo from The Viewscreen.)
What is the secret of the success of Star Trek? Since 1966 three generations of science fiction fans have followed the adventures of four separate crews on the starship Enterprise, as well as other heroes of Gene Roddenberry’s creation through six TV series and 12 movies. There must be something more to the Star Trek universe than adventure stories, special visual effects, and outlandish aliens. Perhaps it is that Star Trek provides us with an opportunity to imagine, to push the boundaries of what is “real”, at least according to what we encounter in our everyday lives.
Certainly that was a key ingredient in the original series, the popularity of which has long outlived the three short seasons it was on the air. In 1987, Star Trek: The Next Generation picked up the mantle and carried on that boundary-pushing tradition. In “Where No One Has Gone Before”, the fifth episode of its first season, a propulsion expert named Kosinski (Stanley Kamel) comes aboard the USS Enterprise to make modifications to the ship’s engines that will enhance their performance. What we soon learn is that Mr. Kosinski’s equations are meaningless by themselves; the real power behind the modifications is the presence of Kosinski’s assistant, an alien known only as the Traveler (Eric Menyuk). In the first test, the Enterprise moves faster than ever thought possible into a region of space far beyond our galaxy, a result which astonishes not only the ship’s officers, but Kosinski as well. Only young Wesley Crusher (Wil Wheaton) notices the Traveler’s role in the proceedings. As the officers argue among themselves, he draws near to the Traveler to learn the truth. Their conversation includes a very interesting bit of dialogue:
Wesley: Is Mister Kosinski like he sounds? A joke?
Traveler: No, that’s too cruel. He has sensed some small part of it.
Wesley: That space and time and thought aren’t the separate things they appear to be? I just thought the formula you were using said something like that.
Later in the episode, the Traveler explains, “You do understand, don’t you that thought is the basis of all reality? The energy of thought, to put it in your terms, is very powerful.” And with that we have an articulation from a fantastic science fiction television show of a profound truth first explained by Moses 3,500 years ago.
Fox Byte 5775 #16: Beshalach (When He Let Go)
בְּשַׁלַּח
Danny Kaye as the head of an “Egyptian Prince” selling Yakov’s Golden Elixir in the 1949 film The Inspector General. From “20 Best Films of the 1940s”, Mubi.com. The entire unforgettable scene is available on YouTube at https://www.youtube.com/watch?v=m1yM2babqZs.
The “snake oil salesman” is another of those characters to whom writers and performers have turned for an endless source of entertainment. Perhaps he is offering a useful product, but more often than not this travelling peddler is a fraud, attempting to sell a strange concoction of secret ingredients he promises will cure every ill known to mankind. While it is amusing to see how easily this trickster can deceive the gullible, it is tragic to consider how quickly honest people can be robbed of their hard-earned wages when they are desperate to ease the suffering of those they love. We see a bit of both in Danny Kaye’s masterful performance in the 1949 comedy, The Inspector General. The film opens with a scene in a Central European village where a troupe of travelling con men stage a show to sell Yakov’s Golden Elixir, a product they claim will not only cure sickness, but even prolong life. Danny Kaye is the star of the show, posing first as the head of an Egyptian prince kept alive for two thousand years by Yakov’s Elixir, and then dancing and singing as a man whose many diseases have disappeared thanks to the magic tonic. Yet the whole time he knows what he is selling is no miracle cure, but instead is a dangerous substance used as furniture polish and cleaning fluid. At the end of the act, when an old woman offers her entire fortune of twelve pennies to buy a bottle for her sick husband, the tender-hearted performer cannot bear to take her money. Others overhear as he tells her the truth, and with that confession the fraud is exposed and the company of thieves chased from the town.
Of course the real product in The Inspector General is Danny Kaye’s comic genius, and the movie continues to a hilarious conclusion. Yet the opening scene leaves one with a question: Could there really be a Yakov’s Elixir that could cure all ills?
Actually, there is such a miraculous cure, and it is even connected with a man named Yakov. In English that man is known as Jacob, the same man to whom God gave the name Israel. When God rescued Jacob’s descendants from slavery in Egypt, He gave them a recipe for success which we would do well to learn:
And He said, “If you will give earnest heed to the voice of the Lord your God, and do what is right in His sight, and give ear to His commandments, and keep all His statutes, I will put none of the diseases on you which I have put on the Egyptians; for I, the Lord, am your healer.” (Exodus 15:26 NASB)
When Empires Die: Thoughts on the Centennial of World War I
When Empires Die was originally published June 28-July 28, 2014, as a six-part series. The original six part format is accessible here.
I. THE ROAD TO SARAJEVO
Archduke Franz Ferdinand and Duchess Sophie with their three children in 1910
The world took a giant step toward death on June 28, 1914. On that day a young atheist shot and killed a prominent Catholic and his wife in an obscure Southeast European city. Within five years, four world empires were dismembered and two new ones arose in their place. Within 40 years, three more global empires breathed their last as the new world system spawned in 1914 grew to maturity. Today, one hundred years later, that world system wheezes with its own death rattle, soon to expire in the process of giving birth to yet another global system which may be the last – and worst – of its kind.
As a historian, a political scientist, a soldier, and an intelligence professional, I cannot let the centennial of the Archduke Franz Ferdinand’s assassination pass without pausing to remember what his life and death meant to the world. The circumstances that brought the Archduke and his wife, the Duchess Sophie, to Sarajevo, Bosnia, are not difficult to explain, but to understand the significance of their deaths, both in their day and in ours, requires a detailed explanation. If that explanation seems too focused on Europe, the simple reason is that Europe in 1914 ruled the entire world. No nation outside Europe – neither ancient India, nor populous China, nor even the rising powers of America and Japan – was immune to events that shook the state system of the Continent. If we are to know why the world went to war in 1914, we must look at the major players of that state system. Only then can we begin to discern what happened to the world in the summer of 1914, and what is happening to the world now in the summer of 2014.
When Empires Die: Thoughts on the Centennial of World War I, Part VI
TO SURVIVE THE COMING NIGHT
“Four Horsemen of the Apocalypse“
Viktor M. Vasnetsov
Is the Apocalypse Nigh?
If this truly is the beginning of the end of this age, then we should expect wars and rumors of war to increase until the entire globe is consumed, just as it was in the Great War of 1914-1918, and again in the Second World War of 1939-1945. Depending on one’s perspective, the Tribulation either begins with or is immediately preceded by this period of escalating war. This is the time of the Four Horsemen of the Apocalypse, the rider of a White Horse going out to conquer, the rider on the Red Horse who takes peace from the earth, the rider on the Black Horse bringing famine, and the Pale Horse bearing Death and Hades. In short order these Horsemen bring an end to the lives of one fourth of the population of the planet. The Horsemen are followed by the revelation of multitudes of martyrs slain for their adherence to the Word of God who ask how long before the Lord will judge the world and avenge their blood. They are told to wait until the number of martyrs yet to die is complete. Then comes a great earthquake and many signs in the heavens, followed by the selection of the special servants of God (12,000 from each tribe of Israel, 144,000 total) and the deliverance of multitudes from the Great Tribulation. After that comes silence in heaven for a short time, and then the judgment of God begins in earnest.
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