What is this fascination with the possibility of life beyond this planet? Are we so insecure in our human existence that we cannot bear the thought of dwelling on the only inhabited territory in the entire universe? Or is it, perhaps, a deep-seated sense of being incomplete in ourselves? Whatever the reason, since the dawn of human existence we have sought for something, or Someone, beyond ourselves who shares our experience of sentience and can explain it to us.
For over a century the search for the Interstellar Other has found expression in science fiction. Novelists like H.G. Wells, Isaac Asimov, Robert Heinlein, and Arthur C. Clarke have made their marks on several generations of impressionable youth, yet the massive explosion of science fiction onto popular consciousness came not with books, but with movies. Clarke’s collaboration with Stanley Kubrick in the 1968 film2001: A Space Odyssey took science fiction movies to a new level. It combined world-class writing with world-class filmmaking to proclaim to audiences that we are not alone, but in so doing left more questions than answers. Ten years later, Steven Spielberg sought to answer some of those questions inClose Encounters of the Third Kind, proposing that the Interstellar Others have been visiting earth for a long, long time, and asserting that humanity had reached a point where these advanced beings could take us into their confidence and educate us further. Movies produced over the next generation investigated different aspects of this question. Some, like M. Night Shyamalan’s 2002 thriller,Signs, explored the dark possibility that alien visitors are not friendly. Signs clings to the hope that humanity can defend itself from alien intruders, and that the hostile encounter restores a sense of purpose we did not know we had lost. And then there isKnowing, a 2009 drama in which Dr John Koestler, played by Nicholas Cage, embarks on a search for the meaning behind clues predicting one global disaster after another. He learns at last that he can do nothing about the disasters; they themselves are clues all-knowing alien watchers have tracked through time to warn humanity about the imminent destruction of our planet in a massive solar flare. The aliens have no intention of letting the human race pass into extinction. Their clues guide people like Koestler in gathering children so the aliens can take them to a place of safety where humanity can begin again.
A recurring motif in these science fiction films is the search for meaning behind the evidence of alien presence. In 2001 the evidence is a mysterious monolith, and in Close Encounters it is the connection of unexplainable phenomena across the globe. In Signs it is the appearance of crop circles, and in Knowing it is the incomprehensible code of numbers and letters scratched by a child and left in a time capsule. The story tellers would have us believe that the answers to human existence are all there if we can only decipher the patterns.
The science fiction story tellers are correct in that an Interstellar Other has left patterns for us to decipher. What they have missed is that the Interstellar Other is the Holy One of Israel. His clues are in Torah, and His answers are in the rest of Scripture.
It was in May of 1986 that I first visited the great World War I battlefield at Verdun. Along with Auschwitz, Verdun is on my Top 10 list of places every human being should visit to learn the extent of evil that people can inflict on one another. Over the course of 10 months in 1916, nearly 2,500,000 French and German soldiers flung death at one another. Total casualties cannot be known, but the estimates range nearly as high as one million, of whom 300,000 were killed in action. The toll does not end with the soldiers; over the course of the battle nine French villages ceased to exist, and an area the size of Manhattan suffered such devastation that the French government deemed it unrecoverable and left it to nature to repair. To this day much of the battlefield remains a poisoned wasteland and graveyard for over 100,000 missing soldiers of both sides.
France has done its best to honor the dead. In 1932 President Albert Lebrun opened the great Ossuary at Douaumont, one of the villages destroyed in the battle. The Ossuary ranks among the most impressive monuments of Western civilization, attempting both to remember and honor the dead, and to remind the living of their sacrifice. Some might consider the reminders grotesque. Beneath the Ossuary is a crypt which contains the bones of at least 130,000 unidentified French and German soldiers. They are there for all to see, together in death, having surrendered their lives that the lives of their nations might continue. Of course their nations did continue , and still do, although much diminished and much broken, even as the bones of their lost sons and daughters.
Professor J.R.R. Tolkien insisted that there was no hidden meaning behind his works on Middle Earth. Such was his assertion in his Foreword to The Lord of the Rings:
I cordially dislike allegory in all its manifestations, and always have done so since I grew old and wary enough to detect its presence. I much prefer history, true or feigned, with its varied applicability to the thought and experience of readers. I think that many confuse ‘applicability’ with ‘allegory’; but the one resides in the freedom of the reader, and the other in the purposed domination of the author.
– J.R.R. Tolkien, Foreword to the Second Edition of The Lord of the Rings
Yet there are allegorical elements throughout his writings, however unintended. Tolkien’s Catholic world view infused his work with well-known Christian concepts such as atonement, salvation, redemption, and fulfillment of prophecy. A consistent story line appears throughout his writing, repeated on several levels. It is the story of paradise defiled, of blessed people tempted by evil into betrayal of their calling, of their exile and dissolution, and their restoration at last after the struggles of their exile produce the required degree of contrition and of resolve to live up to their destiny. In The Silmarillion the tale plays out in the long defeat of the Noldor in their forlorn quest to regain the Silmarils from Morgoth the defiler of Middle Earth. The cycle ends and begins anew in their redemption beyond all hope by the Valar, the powers over the earth who had exiled the Noldor from the blessed realm of Valinor because of their rebellion. In The Hobbit it is the restoration of the House of Durin as the Dwarves under the leadership of Thorin Oakenshield set in motion the events that bring the death of the great dragon Smaug and the coronation of a new Dwarf King Under the Mountain. And in The Lord of the Rings it is the return of Aragorn as King Elessar of Gondor, restoring the long lost (and nearly forgotten) kingdom of the Númenóreans after the defeat of Sauron, Morgoth’s chief lieutenant.
Among the many things we learn from Tolkien is that things happen in cycles. Life is cyclical, not linear. What happens to the fathers happens to the sons, and what has come before will come again. Whether he realized it or not, that is the Hebraic way of looking at the world. And it is quite biblical. As Solomon, the son of David, teaches us:
That which has been is that which will be, and that which has been done is that which will be done. So there is nothing new under the sun. (Ecclesiastes 1:9 NASB)
Most people have experience the peculiar phenomenon of the pink elephant in the living room, that awkward situation in which a group of people are confronted with an obvious, but uncomfortable, issue. Because it is obvious everyone knows or suspects what the others are thinking, yet because it is uncomfortable no one is willing to address it. Therefore the issue goes unresolved and the relationships within the group, however cordial, remain tense, fragile, and shallow.
My purpose is to address the pink elephants that keep Jews and Christians from cooperating in a spirit of mutual trust and support, touching on areas of disagreement and misunderstanding that have bedeviled us for centuries. The intent is not to pour salt old wounds, but to move through the uncomfortable territory and arrive at common ground where we may stand together as one people united in the service of the God of Abraham, Isaac, and Jacob. This journey is beset with many openings for offense. Given the likelihood that I shall stray into one of those openings, I ask in advance for pardon, for no offense is intended. I am confident that if we persevere together, we will overcome the awkwardness and find the common ground which we desperately need in this critical hour.
This is the second in a two part series on why Christians should celebrate the feasts of Passover, Unleavened Bread, and First Fruits.
The Real Passover Timeline
Christian tradition says Jesus was crucified on Good Friday and rose from the grave on Easter Sunday. However, that is not quite right. Jesus Himself explained that He had to be three days and three nights in the grave, according to the sign of Jonah which He gave to the scribes and Pharisees in Matthew 12:38-42 and Luke 11:29-32. Here is how that worked: