Music is an expression of our hearts – of our experiences, joys, sorrows, hopes, dreams, and all that makes us who we are. Rut Banks understands this very well. That’s why her music is so fresh and deep. If we want to know who she is, we start with her songs, because her life story is right there in what she sings!
In this three-part conversation, Rut shares with us what has shaped her life story. Her roots go deep, from Nashville, where she lives with her husband Michael and their children, to St. Louis where she grew up, and back through time and space to Africa, where her Hebraic ancestors faithfully carried the covenant knowledge of their identity in Yah.
This is a podcast about identity, which is the story we hear in song from Rut and from Mason Clover. As Barry Phillips and David Jones explain, it is from this identity that we become channels of Living Water.
Is it possible to be a hero without paying a price? A hero is one who does something worthy of esteem on behalf of someone else, and that requires sacrifice. Sometimes it requires the sacrifice of a life, and sometimes merely the sacrifice of time and attention. Sometimes heroes save nations, and sometimes they save little children from tears of embarrassment, pain, or grief. Every act of salvation, no matter how small, entails a sacrifice that someone offers willingly. And that is what makes a hero.
We learn about heroes in The Karate Kid, a 1984 film starring Ralph Macchio as Daniel Larusso, a fatherless teenager very much in need of a hero. Daniel suffers a vicious beating by boys from a local martial arts school. He is saved by a humble janitor, Mr. Miyagi (played by Noriyuki “Pat” Morita), who drives off the attackers with a masterful display of karate skills. Before long Mr. Miyagi agrees to teach karate to Daniel. The instruction begins when Miyagi assigns Daniel a number of hard tasks. First he must wash and wax Miyagi’s antique automobiles, using special hand motions to “wax on” and “wax off”. Then he must sand the walkway around Miyagi’s house, paint the fence around the property, and finally paint the house itself. Each task features a specific set of hand motions. After days of arduous labor, Daniel complains that he has learned nothing about karate while working like a slave. Miyagi responds by having Daniel perform the hand motions for each task. He then throws punches and kicks at Daniel, demonstrating that “wax on, wax off”, “sand the floor”, “paint the fence”, and “paint the house” have trained the boy to defend against attacks from many angles. As he blocks Miyagi’s attacks, Daniel realizes the truth: his faithfulness in seemingly unconnected menial tasks has made him ready for further instruction and greater responsibility in the art of karate.
In time Daniel becomes competent at karate and confident in himself as Miyagi’s training transforms him from a self-absorbed braggart into a self-controlled warrior. In the concluding scenes he enters a martial arts tournament where he faces the boys who first attacked him. Each is a formidable opponent, yet while Daniel learned karate as a means of disciplining himself in service of others, they had learned it as a means to exalt themselves over the weak. They do not realize that the humble attitude Miyagi cultivated in Daniel has made him stronger and better able to withstand pain and suffering. Their combined efforts at wounding and weakening Daniel only help him discover deeper wells of strength which in the end bring him victory.
This is a life lesson few are willing to learn. Either we walk humbly in the confidence of our King, or we get eaten by our adversary. As the Apostle Peter says:
You younger men, likewise, be subject to your elders; and all of you, clothe yourselves with humility toward one another, for God is opposed to the proud, but gives grace to the humble. Therefore humble yourselves under the mighty hand of God, that He may exalt you at the proper time, casting all your anxiety on Him, because He cares for you. Be of sober spirit, be on the alert. Your adversary, the devil, prowls around like a roaring lion, seeking someone to devour. (I Peter 5:5-8 NASB)
The 1970 movie Little Big Man, starring Dustin Hoffman, follows the story of Jack Crabb, a white boy adopted by a Cheyenne warrior and raised among the Indians with the name Little Big Man. Jack spends his life moving between the very different worlds of his native white frontier people and his adopted Indian family. At one point, when he is back again among the Cheyenne, Jack takes a wife named Sunshine. The two live happily for a time, but then Sunshine persuades Jack to marry her three widowed sisters. Jack reluctantly agrees, and soon becomes head of a very large household. One day, as he wanders through the camp pondering his circumstances, he encounters an old enemy, the warrior Younger Bear whom he has inadvertently shamed many times. Thinking he at last has an advantage over Little Big Man, Younger Bear boasts, “I have a wife. And four horses.” Jack answers as if in a daze, “I have a horse . . . and four wives.” And with that absent-minded answer he once again shames Younger Bear.
Little Big Man is a satire, but oddly enough it echoes something from our ancient past. Our ancestor Jacob, like Jack Crabb, left the land of his birth to seek a wife among his distant relatives. He ended up taking four wives, shaming his wives’ kin, and coming home with far more than he anticipated. Jacob’s story, however, has much greater significance than the ribald satire of Little Big Man. His life is a continuous string of prophetic pictures illustrating what happens to us, his offspring.