Counting the Omer 5779/2019 #27

Counting the Omer is keeping the commandment to count 50 days (seven Sabbaths plus one day) between the offering of the first fruits of the barley harvest (often called First Fruits) until the feast of Shavuot (Pentecost) (Leviticus 23:15-21). This year The Barking Fox is counting the omer with modern pictures of people named in the Bible.


© Albert J. McCarn and The Barking Fox Blog, 2019.  Permission to use and/or duplicate original material on The Barking Fox Blog is granted, provided that full and clear credit is given to Albert J. McCarn and The Barking Fox Blog with appropriate and specific direction to the original content.

Fox Byte 5775 #52: Vayelekh (And He Went)

וַיֵּלֶךְ

Concept art for an upcoming Czech film adaptation of Karel Čapek’s War with the Newts. (Photo: The Fish People Attack! Amazing Concept Art For Czech Creature Feature WAR WITH THE NEWTS (VALKA S MLOKY) on twitch, via Topzine.cz; © 2014 Salamander syndicate)
Concept art for an upcoming film adaptation of Karel Čapek’s War with the Newts. (Photo: “The Fish People Attack!” on twitchfilm.com, via Topzine.cz; © 2014 Salamander syndicate)

Isaac Asimov could have written I, Robot without Karel Čapek’s help, but he would have needed a different word for the artificial life forms featured in his writing.  Asimov’s robot stories shifted the paradigms of science fiction by exploring the unintended consequences of creating something smarter and stronger than a human, but without a human’s ethical configuration.  For over half a century he probed dark and difficult territory, asking questions and spinning scenarios that remain disturbingly applicable to our present reality.  Yet Asimov neither invented the word “robot”, nor initiated the inquiry into the potential nemesis of unbridled technological innovation.

Bad things happen when man plays the role of God, as Mary Shelley demonstrated in 1818 with her first novel, Frankenstein; or, the Modern Prometheus.  Shelley brought the question into the modern era, but it was Karel Čapek who mechanized it.  Čapek’s play R.U.R. (Rossumovi univerzální roboti; Rossum’s Universal Robots) was a success from its first performance in 1920.  The play introduced international audiences to the Czech word robota, meaning hard work, a word rendered into English as robot.  The play is not a comedy; in Čapek’s imaginary world the robots are manufactured life forms designed to assist humans, but eventually they rebel and extinguish all human life.

Čapek revived this scenario in War with the Newts, a novel published in 1936 as satire on the hypocritically self-serving international system which enabled Nazi Germany’s dismemberment of Czechoslovakia two years later.  It is a humorously dark tale about a race of sentient amphibian creatures discovered in the waters of Indonesia.  The newts prove to be swift learners and adept at a multitude of tasks, making them ideal candidates for exploitation not only as workers, but also as undersea warriors.  In time the newts, like the robots, rebel, destroying the dry land and turning it into shallow waters suitable for their environmental needs.  The nations of the earth find themselves in a war for survival against a global amphibian army.  It is a war humanity will not win, but Čapek reveals that the victorious newts will turn on themselves and become the instruments of their own destruction, leaving a remnant of mankind to rebuild the planet.

It is frightful to contemplate the end of one’s world, particularly when the end is justly deserved.  Asimov, Shelley, and Čapek relate scenarios of judgment resulting from mankind’s own selfish shortsightedness – playing God, if you will.  The element of terror they invoke lurks in the revelation that the instruments of judgment are the works of our own hands.  As usual, art imitates life.  YHVH renders judgment on those who disregard His standard of righteousness and set up standards of their own – playing God, if you will.  Judgment brings a sentence of destruction and death, which is terrifying enough.  What makes it more chilling is to learn the name of the one who will bring about the anticipated death and destruction.  About 35 centuries ago, the doomed Canaanite civilization experienced that very thing shortly after Moses spoke these words:

It is the Lord your God who will cross ahead of you; He will destroy these nations before you, and you shall dispossess them.  Joshua is the one who will cross ahead of you, just as the Lord has spoken.  (Deuteronomy 31:3 NASB)

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Fox Byte 5775 #50: Ki Tavo (When You Enter In)

כִּי־תָבִוֹא

Quintus Arrius (Jack Hawkens) offers water to Judah Ben Hur (Charlton Heston) in the 1959 epic, Ben Hur. (Photo: Warner Home Video, featured in "A Day at the Chariot Races: The Digital Liberation of ‘Ben-Hur’", by Bill Desowitz, Motion Picture Editors Guild, November 21, 2011)
Quintus Arrius (Jack Hawkins) offers water to Judah Ben Hur (Charlton Heston) in the 1959 epic, Ben Hur. (Photo: Warner Home Video, featured in “A Day at the Chariot Races: The Digital Liberation of ‘Ben-Hur’”, by Bill Desowitz, Motion Picture Editors Guild, November 21, 2011)

When General Lew Wallace published Ben Hur in 1880, he had no idea that his tale of a wrongfully condemned Jewish prince would have such an impact on modern audiences.  It is a tale of redemption, being the product of Wallace’s own investigation into the validity of the Christian faith.  The epic scale of the story lends itself to the big screen, but Hollywood’s first effort at bringing Wallace’s characters to life in 1925 fell short of the mark.  It took another generation of filmmakers, capitalizing on improved technology and cinematic techniques, to do justice to the tale.  The result was William Wyler’s 1959 production of Ben Hur, a film that surpassed the achievements of Cecil B. DeMille’s The Ten Commandments, released just three years previously.  Wyler and DeMille both worked with the same leading man:  Charlton Heston, a handsome actor known for his portrayals of tough men of action.  Heston’s depiction of Moses remains the standard for cinematic portrayals of Israel’s Lawgiver, but it was his role as Judah Ben Hur which won him an Oscar as Best Actor.

The story follows Judah in his quest for revenge after his family is unjustly accused and sentenced for allegedly attempting to kill the new Roman governor of Judea.  His mother and sister are taken to prison, but Judah is condemned to a hellish existence rowing the galleys of Rome’s navy.  After three years his ship receives a new commander, Consul Quintus Arrius (played by Jack Hawkins), who leads the fleet against pirates who have menaced the sea lanes.  On inspecting the rowers, Arrius takes notice of Judah as a man full of hate, but able to control it, a trait the Consul finds useful.  Upon concluding his inspection Arrius offers this advice:

Now listen to me, all of you.  You are all condemned men.  We keep you alive to serve this ship.  So row well, and live.

Judah finds opportunity to do more than that.  In battle his ship is rammed and sinks, but he is able to escape and save the life of Consul Arrius.  Later they learn the Roman fleet has won the day and Arrius is a hero.  He returns to Rome, bringing Judah with him in hope of repaying the debt of his life.  Judah becomes a famous chariot racer, trusted with some of his master’s most prized possessions.  In time, Arrius rewards Judah with the greatest gift he can bestow:  adoption as his son and heir. 

Eventually Judah returns home, finds his mother and sister, and avenges the wrong done to his house.  Yet it is not until he encounters Yeshua (Jesus) of Nazareth that he finds true peace.  Lew Wallace’s story is, after all, a tale of the Christ, and would be incomplete without the redemption the Messiah offers.  The roots of the story, however, go back to the time of Moses, when he spoke these words to the people of Israel:

The Lord has today declared you to be His people, a treasured possession, as He promised you, and that you should keep all His commandments; and that He will set you high above all nations which He has made, for praise, fame, and honor; and that you shall be a consecrated people to the Lord your God, as He has spoken.  (Deuteronomy 26:18-19 NASB)

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Fox Byte 5775 #44: D’varim (Words)

דְּבָרִים

"The King and Queen inspecting the tarts", by Sir John Tenniel, Alice’s Adventures in Wonderland (1865).
The King and Queen inspecting the tarts”, by Sir John Tenniel, Alice’s Adventures in Wonderland (1865).

One wonders whether Lewis Carroll required chemical substances to help him create the absurd worlds of his literature.  Readers of Alice’s Adventures in Wonderland and audiences of the screen and stage adaptations thereof often conclude that the author – whose real name was Charles Dodgson – must have been on opium or some other sort of mind-altering substance fashionable in Victorian England.  If we are to believe the Lewis Carroll Society of North America and other authoritative sources, there is no truth in such allegations.  How, then, could a rational man come up with such outrageous fiction, creating characters and situations that defy logic and even sanity?  Most likely Carroll would have explained in the same way C.S. Lewis explained how he could create the diabolical correspondence of the demon Screwtape a generation later:

Some have paid me an undeserved compliment by supposing that my Letters were the ripe fruit of many years’ study in moral and ascetic theology.  They forgot that there is an equally reliable, though less creditable, way of learning how temptation works. “My heart”—I need no other’s—“showeth me the wickedness of the ungodly.”  (C.S. Lewis, 1961.  The Screwtape Letters with Screwtape Proposes a Toast.  New York:  MacMillan.)

What Professor Lewis tells us is that all humans have the capacity to imagine evil, and to act upon it once it is imagined.  Evil is abnormal; the opposite of good and right and true.  If our hearts are inclined toward evil, they are also inclined toward everything else that is contrary to good and right and true – things which are unsuitable, wrong, and illogical.  That is why Carroll can depict an absurd criminal trial with such success.  The King and Queen of Hearts sit as judges to determine the guilt or innocence of the Knave, who stands accused of having stolen the Queen’s tarts.  As judge, the King has trouble getting beyond his instructions to the jury to consider the verdict before any evidence has been given.  As witnesses, the Mad Hatter and the Knave say nothing of substance, and throughout the trial no one seems to care that the stolen tarts are there in the courtroom, presumably having been returned by the thief.  The trial ends with a mockery of due process of law as the Queen says, “Sentence first—verdict afterwards”, and then pronounces summary judgment on Alice:  “Off with her head!”

The sad thing about this trial is that it is not far removed from reality.  For much, perhaps most, of history unjust judges have made people’s lives miserable and shorter than they should be.  This is true even for judges among the people of God, which is why in promising to restore His nation of Israel, YHVH delivers this glowing promise:

“Then I will restore your judges as at the first, and your counselors as at the beginning; after that you will be called the city of righteousness, a faithful city.”  Zion will be redeemed with justice and her repentant ones with righteousness.  (Isaiah 1:26-27 NASB)

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Fox Byte 5775 #40: Balak

בָּלָק

General George S. Patton, Jr., one of America's greatest - and most flawed - military leaders.  (Photo:  US National Archives, via Wikimedia Commons)
General George S. Patton, Jr., one of America’s greatest – and most flawed – military leaders. (Photo: US National Archives, via Wikimedia Commons)

The great military leaders of World War II include nine who attained the highest rank awarded by the United States of America.  Those five-star leaders are Generals of the Army George C. Marshall, Douglas MacArthur, Dwight D. Eisenhower, and Omar Bradley; Fleet Admirals William D. Leahy, Ernest King, Chester W. Nimitz, and William Halsey, Jr.; and General of the Air Force Henry H. Arnold.  Each man accomplished great things for his nation, and all deserved the honors bestowed on them, yet some students of history would say there is a name missing from the list.  Where is George S. Patton, Jr.?

Patton died too soon, losing his life as the result of an automobile accident in December 1945.  Had he lived he might eventually have become a five-star general.  Might, that is, had he been able to refrain from the controversy that followed him throughout his very public military career.  By the time World War II erupted he had proven his worth at home and abroad, including combat operations in Mexico and France.  Less than a year after the Japanese attack on Pearl Harbor, Patton commanded the only all-American force in Operation Torch, the Allied landings on North Africa in November 1942.  His Western Task Force conducted the longest amphibious operation in history, sailing from Hampton Roads, Virginia, to the shores of French Morocco.  From there he went on to a stunning series of battlefield successes in Tunisia, Sicily, France, and Germany.

Along with Patton’s skilled leadership came his shortcomings:  a volatile temper, and a tendency to speak indiscreetly.  Twice in Sicily he encountered soldiers suffering from battle fatigue; both times he slapped them and accused them of cowardice.  For that he was reprimanded and kept from a field command for nearly a year.  When he returned to combat in command of the Third Army, he engineered the breakout from the Normandy beachhead and raced across France at astonishing speed.  December 1944 witnessed his greatest battlefield accomplishment:  the relief of Bastogne at the height of the Battle of the Bulge.  Patton’s troops remained on the offensive thereafter, advancing across Germany and into Czechoslovakia.  After the war, as an occupation commander, he continued to generate controversy by retaining former Nazi Party members in positions of authority in the belief that they were best qualified to restore and run Germany’s shattered infrastructure.  While he had good reason, Patton chose to defend his decision by saying that membership in the Nazi Party in Germany was no different than membership in the Democratic or Republican parties in the United States.  His remarks came at the time when the heinous crimes of the Third Reich were becoming public knowledge.  As a result, he was relieved of command of Third Army and assigned to the less prestigious post he occupied at the time of his death.

As with all people it is impossible to separate Patton’s strengths from his weaknesses.  Patton could “read” an enemy, understanding not only his opponent’s capabilities, but also his state of mind.  That ability made him one of the greatest battlefield commanders of modern warfare.  What kept him from true greatness was his inability to control himself – or, more accurately, what came out of his mouth.  In that sense George Patton was very much like Balaam, a man who aspired to greatness, but whose inability to match his words with his deeds ensured that he would never attain it.

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