One of the great depictions of American historical events is John Trumbull’s painting, Declaration of Independence, which hangs in the Rotunda of the United States Capitol. The scene captures the moment on June 28, 1776, when the five men who drafted the Declaration present their work to the Continental Congress. Of the 56 signers of the Declaration, 42 appear in Trumbull’s work, the others having died before he could obtain their images. The painting also depicts five men who did not sign, including Robert Livingston of New York. Livingston was one of the men who drafted the Declaration, but New York recalled him from the Congress before he could sign his work. In Trumbull’s painting Livingston appears in the center of the drafting committee, with Roger Sherman of Connecticut on his right and Thomas Jefferson of Virginia on his left. Americans may not remember the distinguished men from Connecticut and New York, but they do remember Jefferson and John Adams of Massachusetts, two future presidents. Jefferson and Adams embraced different visions of how to govern the infant American Republic, and even though they became political rivals, they remained friends until their deaths on the same day, July 4, 1826.
There is a legend that Jefferson paid Trumbull to paint his foot on top of Adams’, but it is only a legend. The two men’s feet are close together in the picture, and as time and dirt wore away at the painting it came to appear that Jefferson’s foot was resting on Adams’. That is not the only oddity in Trumbull’s work. Like many works of art it is not entirely accurate, but is effective in capturing the spirit of the moment and of the age. So also is 1776, a musical play which humorously explores the events during that fateful summer of American independence. Howard DaSilva dominates the film version with his portrayal of Dr. Benjamin Franklin of Pennsylvania. If we are to believe the movie, independence was Adams’ idea, and the declaration was expressed in Jefferson’s words, but it was Franklin who brought it into being with his wisdom, wit, and ability to achieve consensus. 1776 embellishes the story with fictional dialogue, but it captures a number of famous quotes by the Founding Fathers, including Franklin’s immortal words: “If we do not hang together, we shall most assuredly hang separately!”
Dr. Franklin spoke a warning to a people facing the threat of political extinction before they could become a nation. Long before Franklin uttered his warning, Yeshua of Nazareth spoke the same truth to the people He had come to redeem from the threat of extinction by the enemy of their souls:
And knowing their thoughts Jesus said to them, “Any kingdom divided against itself is laid waste; and any city or house divided against itself will not stand. (Matthew 12:25 NASB; see also Mark 9:38-40; Luke 9:49-50, 11:16-23)
About the time that Gideon of Manasseh delivered Israel from oppression of the Midianites and Amalekites (Judges 6:1-8:35), a war of (literally) epic proportions took place on the northwest coast of what is now Turkey. The Trojan War really did happen, but the conflict was already wrapped in myth and legend when a Greek poet known only as Homer published The Iliad sometime around 750 BCE, four centuries after the war’s generally accepted dates of 1194-1184 BCE. Homer’s epic inspired a number of classical works telling the tales of the Greeks and Trojans, including a sequel published in Latin seven hundred years later. When the Roman poet Virgil wrote The Aeneid, he probably had a political agenda in mind. His story is that of Aeneas, a Trojan hero of the royal family who escaped the destruction of the city and led a band of refugees in a journey that eventually resulted in their settlement at the mouth of the Tiber River in Italy. There they became part of the story of Rome, a city which began as a colony of Alba Longa, the capital of the new kingdom Aeneas and his descendants founded. Thus Rome could trace its origins at least in part to Troy. More importantly, the family of Julius Caesar traced its genealogy to Aeneas, giving it a claim to royalty that helped Caesar’s nephew Octavian consolidate his power as Caesar Augustus. Whether true or not, Virgil’s epic, written early in Augustus’ long reign, cemented the link of the Caesars with Aeneas and Troy in the minds of Romans, making it one of the most successful pieces of literary propaganda ever published.
Even if the Caesar’s claims were falsified, and even if Aeneas never existed outside of classical literature, his tale is an illustration of the remnant: those who remain. Whether it is Ishmael surviving to tell the story of Captain Ahab and Moby Dick, or Job’s servants fleeing disaster to report to him (Job 1:13-22), fact and fiction throughout the human experience have featured a fortunate few who escape. The remnant has the task of carrying the memory of those who went before, of rebuilding what they lost, and of achieving their ultimate destiny. These remnant tales would have little impact on us if they were not a common feature in reality. The remnant is a continuous reminder in Scripture that God’s judgment is tempered with mercy in the expectation that a people will at last be able to step into the fullness of the promises YHVH has spoken from beginning of time.
In a response to a reader’s question about his works, author Stephen R. Donaldson provided this enlightening comment about the motivation behind his writing:
I’m a storyteller, not a polemicist. As such, my only mission is to help my readers understand my characters and appreciate what those poor sods are going through. (Stephen R. Donaldson Official Website, February 23, 2004)
Donaldson’s best known writings might be categorized as postmodern American science fiction and fantasy literature. The worlds he creates are not the pristine, archetypical fantasy worlds of C.S. Lewis and J.R.R. Tolkien, but darker realms that mirror our present ambiguous reality. Donaldson explores human nature in a secular, relativistic world detached from the moral underpinnings of Christian civilization. Good and evil manifest in the worlds he creates, but they are often uncomfortably intertwined so as to be nearly indistinguishable. Such is the case with his most famous protagonist, the anti-hero Thomas Covenant. In ten novels published over the span of 36 years, Donaldson follows Covenant through three epic quests in The Land, the world of his creation where magic and Earthpower shape the lives of mortals. Covenant is one of the most unlikely heroes in the history of literature: a leper living in present-day America who is magically transported to The Land to save it from destruction by Lord Foul the Despiser. He wears a wedding band of white gold, the source of Wild Magic, which is the greatest power ever known in The Land. He does not know how to wield this power, nor does he desire to do so, yet the dire circumstances of The Land compel him to find a way. Each victory comes at a cost. Ultimately it is Covenant himself who pays the greatest price, and thus he earns not only sympathy, but redemption.
We learn much about power in White Gold Wielder, the last novel of The Second Chronicles of Thomas Covenant. The Elohim, supernatural beings who keep watch over the Earth, “silence” Covenant, placing him in a catatonic state so he will not use his ring unwisely and risk destruction of the world. After Covenant is revived by his companion Linden Avery, Findail of the Elohim explains their actions to her:
The ring-wielder we silenced, not to harm him, but to spare the Earth the ill of power without sight . . . Thus the choice would have fallen to you in the end. His ring you might have taken unto yourself, thereby healing the breach between sight and power. Or perhaps you might have ceded the ring to me, empowering the Elohim to save the Earth after their fashion. Then would we have had no need to fear ourselves, for a power given is altogether different than one wrested away.
Findail’s declaration, “a power given is altogether different than one wrested away,” is a restatement of something taught long ago by One Who understood power:
But Jesus called them to Himself and said, “You know that the rulers of the Gentiles lord it over them, and their great men exercise authority over them. It is not this way among you, but whoever wishes to become great among you shall be your servant, and whoever wishes to be first among you shall be your slave; just as the Son of Man did not come to be served, but to serve, and to give His life a ransom for many.” (Matthew 20:25-28 NASB)
One of the compelling images I recall from childhood is the opening scene of Branded. This Western TV drama starred Chuck Connors as a United States Army officer unjustly charged with cowardice. Week after week the series opened with Jason McCord, Connors’ character, being drummed out of the service at a remote post in the American West. As the garrison assembles, McCord is marched to the front and center of the formation, where his commander removes from him every vestige of his connection with the Army – his hat, rank insignia, and even the buttons on his coat. Last of all the commander removes McCord’s sword from its sheath, breaks it over his knee, and tosses the broken hilt out of the fort’s gate. The shamed officer then walks out of the fort as the doors close behind him. Now on his own, branded for life with the mark of a coward, he must find a way to clear his name.
What if someone had exonerated Jason McCord? Such things have happened before. There is provision in the law to excuse an offender, either when the accusation is proven unjust, or when a duly constituted authority bestows clemency in an act of mercy. The law, however, remains in effect. Should another man, or even the same man, desert his post in an act of cowardice, he would be guilty of the same offence. Even if the entire United States Army deserted, requiring the President to recruit an entirely new force, the deserters would still be guilty according to the statutes and regulations governing the military service. And should the law change somehow, perhaps refining the definition of cowardice and clarifying the penalties, the law would still be in effect, and those subject to it would be wise to learn the changes lest they find themselves inadvertently in error.
How interesting that such a principal gleaned from a 1960s TV Western is actually a principal of the Word of God. While some may argue that the Law of God has no application at all in an age when Messiah Yeshua has won forgiveness for all who believe on Him, in actuality His work of redemption secured a prophesied change in the Law, not its abolition.
This is the first Shabbat (Sabbath) of a new Torah cycle. Each year, Jews and Messianic believers in Yeshua go through the Torah (the Books of Moses) and the Haftorah (selected passages from the other books of the Tanakh (Old Testament)) in weekly portions. The portion for this week is Beresheet, “In the Beginning”.
The world’s first truly global conflict, known in Europe as the Seven Years’ War and in America as the French and Indian War, was a disaster for France. By the war’s end in 1763, France had ceded the vast territories of Canada and Louisiana to England and Spain. And yet it was not a complete disaster; the Treaty of Paris which ended the war left France with its most prized possession: the Caribbean sugar island of Guadeloupe. Great Britain had won control over both Guadeloupe and Canada during the war, and in the peace negotiations the British deemed Canada more strategically valuable to their empire. But Guadeloupe had proven more valuable economically, producing more income for France than all the fur collected by trappers and traders in Canada, and all the sugar produced by Britain’s own island colonies. King Louis XV, therefore, was quite willing to trade a vast empire for this small island.
A similar transaction appears in Scripture, when the Lord explains what He is ready to do to redeem a people He deems more valuable than all the nations of the earth:
The “Jewish” High Holy Days begin at sundown on September 24, 2014, with Yom Teruah, the Feast of Trumpets. It is also called Rosh HaShanah, the Head of the Year. Many people call it the “Jewish New Year”. But what exactly is this festive day? And should Christians even care about this “Jewish” holiday?
According to Hebrew understanding, Yom Teruah is the day God completed His work of creation by making human beings, the crowning achievement of His work. In the agricultural cycle of the Ancient Near East, where the Bible was written, this day points toward completion of the growing season when the long-expected “latter rains” come. It is the completion of the civil year, a tradition even the United States government has adopted. These are all good reasons for God to command His people to set this day apart by blowing trumpets and observing a special Sabbath day of rest.
Yet there are some confusing things about Yom Teruah. This “Head of the Year” happens on the first day of the seventh month in the Hebrew calendar. One would expect that the New Year would be in the first month, but God Himself directed that the first month would be in the spring (Exodus 12:1-2). That month, called Nisan or Abib in Hebrew, is the month of three great feasts of the Lord: Passover, Unleavened Bread, and Firstfruits. In that time long ago God delivered His people Israel from bondage in Egypt. Yet the First Month is not the same as the Head of the Year in the Seventh Month, Tishrei. Both months have prophetic significance according to God’s plan for the redemption and restoration of His creation. Through the Feasts celebrated in these months the Lord tells a prophetic story. In the First Month He redeems and delivers His people, and in the Seventh He restores them. One might say He is pressing the reset button to get things back to the way they were before sin caused all this trouble. But why is this “Jewish” feast of Yom Teruah, or any of these “Jewish” feasts, important to Christians?
The answer to that is quite simple: These are not Jewish feasts.