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Israel 2016: Picking Up Where We Left Off – A Report on the Second B’ney Yosef National Congress

A remarkable thing happened seventeen months ago, when the First B’ney Yosef National Congress convened in Ariel, Israel.  At that time a people who had not existed as a people for over 2,700 years came back from the ash heap of history.  The people of the House of Joseph (Yosef) – Ephraim, those “Lost Tribes” of Israel’s northern kingdom – assembled in Samaria, the territory of their ancient ancestors, and acknowledged their belief in the God of Abraham, Isaac, and Jacob to accomplish His Word to bring their people back as a nation and join them with the Jewish part of Israel (the House of Judah) in fulfillment of His covenant.

Delegates gather at the Second B'ney Yosef National Congress, October 26, 2016.

Delegates gather at the Second B’ney Yosef National Congress, October 26, 2016.

It was a modest beginning; only a little over 130 people attended, representing 12 countries.  We made no bold declarations, but humbly whispered to one another and to the world that we were ready to answer the Father’s call and walk out the return of the Prodigal.  Humble indeed, but astounding nevertheless.  Certainly no less astounding than the reestablishment of the State of Israel in 1948 after 1,900 years of dissolution.

The momentum of that First Congress has carried into the Second B’ney Yosef Congress, which is now in its third day.  The Congress convened on the evening of October 26, 2016, and will continue until Monday, October 31.  The venue once again is the Eshel Hashomron Hotel in Ariel.  The numbers of delegates are about the same, but this time there are some significant differences. 

For one thing, the number of nations has grown to 15.  Not surprisingly, the United States has the largest number of delegates, comprising about half of the total.  What is surprising is that the second largest contingent is from one of the world’s smallest countries:  the Netherlands.  Over 20 Dutch Ephraimites are here, imparting a beautiful Dutch accent to all the proceedings.  Also represented are Australia, Belgium, Canada, England, Fiji, Germany, Indonesia, Israel, Jordan, Peru, South Africa, Sweden, and Switzerland.  A central feature of the Congress has been reports from each of these countries, as well as video and proxy reports from Finland, Pakistan, Uganda, and India. 

These reports build a mosaic of the Hebrew Awakening happening across the globe.  In Pakistan, for example, Pastor Qaiser Ilyas shared by video his work in building Hebrew language and Torah teaching programs in Urdu for children and adults.  Valerie Bulkunu, representing the Aboriginal people of Australia, shared the revival that is beginning among the youth of her people, and the awakening among Aboriginals to their Hebrew roots and Israelite identity.  A similar phenomenon is happening among the Mizo people of northeast India, as Margot Crossing related in her report about the descendants of exiled Israelites who migrated across the Silk Road into South Asia.  These developments are happening simultaneously with the better-known Torah awakenings in Europe and North America, and in time will have an even more significant impact as tens of millions of Ephraimites come into the understanding of their covenant identity.

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Fox Byte 5775 #52: Vayelekh (And He Went)

וַיֵּלֶךְ

Concept art for an upcoming Czech film adaptation of Karel Čapek’s War with the Newts. (Photo: The Fish People Attack! Amazing Concept Art For Czech Creature Feature WAR WITH THE NEWTS (VALKA S MLOKY) on twitch, via Topzine.cz; © 2014 Salamander syndicate)

Concept art for an upcoming film adaptation of Karel Čapek’s War with the Newts. (Photo: “The Fish People Attack!” on twitchfilm.com, via Topzine.cz; © 2014 Salamander syndicate)

Isaac Asimov could have written I, Robot without Karel Čapek’s help, but he would have needed a different word for the artificial life forms featured in his writing.  Asimov’s robot stories shifted the paradigms of science fiction by exploring the unintended consequences of creating something smarter and stronger than a human, but without a human’s ethical configuration.  For over half a century he probed dark and difficult territory, asking questions and spinning scenarios that remain disturbingly applicable to our present reality.  Yet Asimov neither invented the word “robot”, nor initiated the inquiry into the potential nemesis of unbridled technological innovation.

Bad things happen when man plays the role of God, as Mary Shelley demonstrated in 1818 with her first novel, Frankenstein; or, the Modern Prometheus.  Shelley brought the question into the modern era, but it was Karel Čapek who mechanized it.  Čapek’s play R.U.R. (Rossumovi univerzální roboti; Rossum’s Universal Robots) was a success from its first performance in 1920.  The play introduced international audiences to the Czech word robota, meaning hard work, a word rendered into English as robot.  The play is not a comedy; in Čapek’s imaginary world the robots are manufactured life forms designed to assist humans, but eventually they rebel and extinguish all human life.

Čapek revived this scenario in War with the Newts, a novel published in 1936 as satire on the hypocritically self-serving international system which enabled Nazi Germany’s dismemberment of Czechoslovakia two years later.  It is a humorously dark tale about a race of sentient amphibian creatures discovered in the waters of Indonesia.  The newts prove to be swift learners and adept at a multitude of tasks, making them ideal candidates for exploitation not only as workers, but also as undersea warriors.  In time the newts, like the robots, rebel, destroying the dry land and turning it into shallow waters suitable for their environmental needs.  The nations of the earth find themselves in a war for survival against a global amphibian army.  It is a war humanity will not win, but Čapek reveals that the victorious newts will turn on themselves and become the instruments of their own destruction, leaving a remnant of mankind to rebuild the planet.

It is frightful to contemplate the end of one’s world, particularly when the end is justly deserved.  Asimov, Shelley, and Čapek relate scenarios of judgment resulting from mankind’s own selfish shortsightedness – playing God, if you will.  The element of terror they invoke lurks in the revelation that the instruments of judgment are the works of our own hands.  As usual, art imitates life.  YHVH renders judgment on those who disregard His standard of righteousness and set up standards of their own – playing God, if you will.  Judgment brings a sentence of destruction and death, which is terrifying enough.  What makes it more chilling is to learn the name of the one who will bring about the anticipated death and destruction.  About 35 centuries ago, the doomed Canaanite civilization experienced that very thing shortly after Moses spoke these words:

It is the Lord your God who will cross ahead of you; He will destroy these nations before you, and you shall dispossess them.  Joshua is the one who will cross ahead of you, just as the Lord has spoken.  (Deuteronomy 31:3 NASB)

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