There is merit to living in the moment. After all, we don’t want to miss out on what is right in front of us. However, if we do not understand how we came to that moment, then we might miss something even more important.
Exodus 20:12; Psalm 104:43-46; Malachi 4:5-6; Luke 1:68-79; 1 John 2:13-14
Music: “Firebird Lullaby & Final Hymn,” Firebird Suite, by Igor Stravinsky, performed by Igor Stravinsky conducting the Philharmonic Symphony Orchestra of New York, Firebird Suite (1945) and Fireworks – Fantasy for Orchestra, Op. 4 (1908), Columbia Masterworks, 1947.
Everyone goes through seasons of weakness and despair. The question is not how to avoid them, but how to get through them and move on to what our Creator has designed us to do. After all, it’s not just our own destiny at stake, but the destinies of others around us – and sometimes of entire nations.
1 Kings 19:1-18; Proverbs 28:12; Malachi 4:4-6; James 5:13-18
While the world was looking the other way, Israel pulled off one of the most astounding diplomatic coups of recent years. Peace with the United Arab Emirates will be very good for both countries and for the region, but there is more significance to this development than that. What does it tell us about the national leaders who made it happen, especially Prime Minister Benjamin Netanyahu? Are there lessons for life in this game-changing diplomatic move?
Those who have leprosy might as well be dead. Never mind that the disease we call leprosy today may or may not be one of the skin diseases meant by the Hebrew word tzara’at (צָרַעַת). The fact is, whoever had it was cut off from the community:
Now the leper on whom the sore is, his clothes shall be torn and his head bare; and he shall cover his mustache, and cry, “Unclean! Unclean!” He shall be unclean. All the days he has the sore he shall be unclean. He is unclean, and he shall dwell alone; his dwelling shall be outside the camp. (Leviticus 13:45-46 NKJV)
Think about that for a moment. Lepers could not go home. They could not have any kind of normal relationship with their family members, friends, business associates, or anyone else with whom they interacted before the cursed condition fell upon them. It did not matter what station of life the leper occupied; whether peasant or king, the disease cut them off from the life of the nation. Even mighty King Uzziah of Judah learned that. Although he reigned for 52 years in Jerusalem, the leprosy he contracted in the midst of his reign meant that he was king in name only:
King Uzziah was a leper until the day of his death. He dwelt in an isolated house, because he was a leper; for he was cut off from the house of the Lord. Then Jotham his son was over the king’s house, judging the people of the land. (II Chronicles 26:21 NKJV)
How can a person shepherd the people of God when he is cut off from the House of God? Is there any hope for him, or for the people he is anointed to lead?
Yes, there is hope. That is why the Torah portion Metzora (The Leper; Leviticus 14:1-15:33) provides elaborate detail on the procedures for cleansing lepers. Once healed, the priests help them through this process to restore them to their place in society. In a certain sense, this is a resurrection from a type of death, and thus it is a symbol of what Messiah will do.
One of the great depictions of American historical events is John Trumbull’s painting, Declaration of Independence, which hangs in the Rotunda of the United States Capitol. The scene captures the moment on June 28, 1776, when the five men who drafted the Declaration present their work to the Continental Congress. Of the 56 signers of the Declaration, 42 appear in Trumbull’s work, the others having died before he could obtain their images. The painting also depicts five men who did not sign, including Robert Livingston of New York. Livingston was one of the men who drafted the Declaration, but New York recalled him from the Congress before he could sign his work. In Trumbull’s painting Livingston appears in the center of the drafting committee, with Roger Sherman of Connecticut on his right and Thomas Jefferson of Virginia on his left. Americans may not remember the distinguished men from Connecticut and New York, but they do remember Jefferson and John Adams of Massachusetts, two future presidents. Jefferson and Adams embraced different visions of how to govern the infant American Republic, and even though they became political rivals, they remained friends until their deaths on the same day, July 4, 1826.
There is a legend that Jefferson paid Trumbull to paint his foot on top of Adams’, but it is only a legend. The two men’s feet are close together in the picture, and as time and dirt wore away at the painting it came to appear that Jefferson’s foot was resting on Adams’. That is not the only oddity in Trumbull’s work. Like many works of art it is not entirely accurate, but is effective in capturing the spirit of the moment and of the age. So also is 1776, a musical play which humorously explores the events during that fateful summer of American independence. Howard DaSilva dominates the film version with his portrayal of Dr. Benjamin Franklin of Pennsylvania. If we are to believe the movie, independence was Adams’ idea, and the declaration was expressed in Jefferson’s words, but it was Franklin who brought it into being with his wisdom, wit, and ability to achieve consensus. 1776 embellishes the story with fictional dialogue, but it captures a number of famous quotes by the Founding Fathers, including Franklin’s immortal words: “If we do not hang together, we shall most assuredly hang separately!”
Dr. Franklin spoke a warning to a people facing the threat of political extinction before they could become a nation. Long before Franklin uttered his warning, Yeshua of Nazareth spoke the same truth to the people He had come to redeem from the threat of extinction by the enemy of their souls: