Aligning With The Right Spirit

Statue of Elijah at Mukhraka Monastery, Mount Carmel, Israel, צילום:ד”ר אבישי טייכר (Dr. Avishai Teicher)/ CC BY (https://creativecommons.org/licenses/by/2.5). Music: “Chorus: He, Watching Over Israel,” by Felix Mendelssohn, performed by Gabrieli Consort & Players, Paul McCreesh, Mendelssohn: Elijah, 1846, Signum 2012.

Everyone goes through seasons of weakness and despair. The question is not how to avoid them, but how to get through them and move on to what our Creator has designed us to do. After all, it’s not just our own destiny at stake, but the destinies of others around us – and sometimes of entire nations.

1 Kings 19:1-18; Proverbs 28:12; Malachi 4:4-6; James 5:13-18

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Music: “Chorus: He, Watching Over Israel,” by Felix Mendelssohn, performed by Gabrieli Consort & Players, Paul McCreesh, Mendelssohn: Elijah, 1846, Signum 2012.

Israel, the UAE, and Statecraft – Current Events Simplified

While the world was looking the other way, Israel pulled off one of the most astounding diplomatic coups of recent years. Peace with the United Arab Emirates will be very good for both countries and for the region, but there is more significance to this development than that. What does it tell us about the national leaders who made it happen, especially Prime Minister Benjamin Netanyahu? Are there lessons for life in this game-changing diplomatic move? 

via Israel, The UAE, and the Statecraft – Current Events Simplified  – Founded In Truth – YouTube

Resurrection of the Leprous Prodigal

Rembrandt Harmenszoon van Rijn, The King Uzziah Stricken with Leprosy  (Wikimedia Commons)

Those who have leprosy might as well be dead.  Never mind that the disease we call leprosy today may or may not be one of the skin diseases meant by the Hebrew word tzara’at (צָרַעַת).  The fact is, whoever had it was cut off from the community:

Now the leper on whom the sore is, his clothes shall be torn and his head bare; and he shall cover his mustache, and cry, “Unclean!  Unclean!”  He shall be unclean. All the days he has the sore he shall be unclean. He is unclean, and he shall dwell alone; his dwelling shall be outside the camp.  (Leviticus 13:45-46 NKJV)

Think about that for a moment.  Lepers could not go home.  They could not have any kind of normal relationship with their family members, friends, business associates, or anyone else with whom they interacted before the cursed condition fell upon them.  It did not matter what station of life the leper occupied; whether peasant or king, the disease cut them off from the life of the nation.  Even mighty King Uzziah of Judah learned that.  Although he reigned for 52 years in Jerusalem, the leprosy he contracted in the midst of his reign meant that he was king in name only:

King Uzziah was a leper until the day of his death.  He dwelt in an isolated house, because he was a leper; for he was cut off from the house of the Lord.  Then Jotham his son was over the king’s house, judging the people of the land.  (II Chronicles 26:21 NKJV)

How can a person shepherd the people of God when he is cut off from the House of God?  Is there any hope for him, or for the people he is anointed to lead?

Yes, there is hope.  That is why the Torah portion Metzora (The Leper; Leviticus 14:1-15:33) provides elaborate detail on the procedures for cleansing lepers.  Once healed, the priests help them through this process to restore them to their place in society.  In a certain sense, this is a resurrection from a type of death, and thus it is a symbol of what Messiah will do. 

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Fox Byte 5775 #41: Pinchas (Phinehas)

פִּינְחָס

Declaration of Independence John Trumbull
Declaration of Independence
John Trumbull

One of the great depictions of American historical events is John Trumbull’s painting, Declaration of Independence, which hangs in the Rotunda of the United States Capitol.  The scene captures the moment on June 28, 1776, when the five men who drafted the Declaration present their work to the Continental Congress.  Of the 56 signers of the Declaration, 42 appear in Trumbull’s work, the others having died before he could obtain their images.  The painting also depicts five men who did not sign, including Robert Livingston of New York.  Livingston was one of the men who drafted the Declaration, but New York recalled him from the Congress before he could sign his work.  In Trumbull’s painting Livingston appears in the center of the drafting committee, with Roger Sherman of Connecticut on his right and Thomas Jefferson of Virginia on his left.  Americans may not remember the distinguished men from Connecticut and New York, but they do remember Jefferson and John Adams of Massachusetts, two future presidents.  Jefferson and Adams embraced different visions of how to govern the infant American Republic, and even though they became political rivals, they remained friends until their deaths on the same day, July 4, 1826. 

There is a legend that Jefferson paid Trumbull to paint his foot on top of Adams’, but it is only a legend.  The two men’s feet are close together in the picture, and as time and dirt wore away at the painting it came to appear that Jefferson’s foot was resting on Adams’.  That is not the only oddity in Trumbull’s work.  Like many works of art it is not entirely accurate, but is effective in capturing the spirit of the moment and of the age.  So also is 1776, a musical play which humorously explores the events during that fateful summer of American independence.  Howard DaSilva dominates the film version with his portrayal of Dr. Benjamin Franklin of Pennsylvania.  If we are to believe the movie, independence was Adams’ idea, and the declaration was expressed in Jefferson’s words, but it was Franklin who brought it into being with his wisdom, wit, and ability to achieve consensus.  1776 embellishes the story with fictional dialogue, but it captures a number of famous quotes by the Founding Fathers, including Franklin’s immortal words:  “If we do not hang together, we shall most assuredly hang separately!”

Dr. Franklin spoke a warning to a people facing the threat of political extinction before they could become a nation.  Long before Franklin uttered his warning, Yeshua of Nazareth spoke the same truth to the people He had come to redeem from the threat of extinction by the enemy of their souls:

And knowing their thoughts Jesus said to them, “Any kingdom divided against itself is laid waste; and any city or house divided against itself will not stand.  (Matthew 12:25 NASB; see also Mark 9:38-40; Luke 9:49-50, 11:16-23)

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Fox Byte 5775 #37: Sh’lach L’cha (Send For Yourself)

שְׁלַח־לְךָ

The Meeting of Dido and Aeneas Sir Nicholas Dance-Holland
The Meeting of Dido and Aeneas
Sir Nicholas Dance-Holland

About the time that Gideon of Manasseh delivered Israel from oppression of the Midianites and Amalekites (Judges 6:1-8:35), a war of (literally) epic proportions took place on the northwest coast of what is now Turkey.  The Trojan War really did happen, but the conflict was already wrapped in myth and legend when a Greek poet known only as Homer published The Iliad sometime around 750 BCE, four centuries after the war’s generally accepted dates of 1194-1184 BCE.  Homer’s epic inspired a number of classical works telling the tales of the Greeks and Trojans, including a sequel published in Latin seven hundred years later.  When the Roman poet Virgil wrote The Aeneid, he probably had a political agenda in mind.  His story is that of Aeneas, a Trojan hero of the royal family who escaped the destruction of the city and led a band of refugees in a journey that eventually resulted in their settlement at the mouth of the Tiber River in Italy.  There they became part of the story of Rome, a city which began as a colony of Alba Longa, the capital of the new kingdom Aeneas and his descendants founded.  Thus Rome could trace its origins at least in part to Troy.  More importantly, the family of Julius Caesar traced its genealogy to Aeneas, giving it a claim to royalty that helped Caesar’s nephew Octavian consolidate his power as Caesar Augustus.  Whether true or not, Virgil’s epic, written early in Augustus’ long reign, cemented the link of the Caesars with Aeneas and Troy in the minds of Romans, making it one of the most successful pieces of literary propaganda ever published.

Even if the Caesar’s claims were falsified, and even if Aeneas never existed outside of classical literature, his tale is an illustration of the remnant:  those who remain.  Whether it is Ishmael surviving to tell the story of Captain Ahab and Moby Dick, or Job’s servants fleeing disaster to report to him (Job 1:13-22), fact and fiction throughout the human experience have featured a fortunate few who escape.  The remnant has the task of carrying the memory of those who went before, of rebuilding what they lost, and of achieving their ultimate destiny.  These remnant tales would have little impact on us if they were not a common feature in reality.  The remnant is a continuous reminder in Scripture that God’s judgment is tempered with mercy in the expectation that a people will at last be able to step into the fullness of the promises YHVH has spoken from beginning of time.

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