Counting the Omer is keeping the commandment to count 50 days (seven Sabbaths plus one day) between the offering of the first fruits of the barley harvest (often called First Fruits) until the feast of Shavuot (Pentecost) (Leviticus 23:15-21). This year The Barking Fox is counting the omer with modern pictures of people named in the Bible.
© Albert J. McCarn and The Barking Fox Blog, 2019. Permission to use and/or duplicate original material on The Barking Fox Blog is granted, provided that full and clear credit is given to Albert J. McCarn and The Barking Fox Blog with appropriate and specific direction to the original content.
Counting the Omer is keeping the commandment to count 50 days (seven Sabbaths plus one day) between the offering of the first fruits of the barley harvest (often called First Fruits) until the feast of Shavuot (Pentecost) (Leviticus 23:15-21). This year The Barking Fox is counting the omer with modern pictures of places named in the Bible.
© Albert J. McCarn and The Barking Fox Blog, 2018. Permission to use and/or duplicate original material on The Barking Fox Blog is granted, provided that full and clear credit is given to Albert J. McCarn and The Barking Fox Blog with appropriate and specific direction to the original content.
Even superheroes have their weaknesses. If it were not so, the stories about them would be over very quickly and would not be quite so interesting. This is perhaps a reflection of our human condition. No individual is complete within himself or herself. We need one another to do things we cannot do for ourselves and to watch out for dangers hidden in our blind spots. Together we survive and thrive, but separately we grow weak and perish.
Hopefully we learn this lesson in childhood. Good children’s literature certainly upholds this principle, whether it is The Cat in the Hat helping bored children amuse themselves and then clean up the mess, or The Ugly Duckling finding unexpected help to teach him who he is. So it is with The Five Chinese Brothers, a classic modern retelling of an ancient Chinese story. In her 1938 version of the tale, Claire Huchet Bishop tells of five remarkable brothers who live with their mother near the sea. Although they are identical, each brother has a unique ability. One can swallow the sea, and thus is a highly successful fisherman. The second brother has a neck as hard as iron, the third can stretch his legs to any length, the fourth is immune to fire, and the fifth can hold his breath as long as he desires.
One day the First Brother goes fishing in the company of a lad who had begged to go with him. When the brother swallows the sea, the boy runs out to collect the treasures exposed on the now dry ground. Before long the Brother grows tired and signals to the lad to return, but he ignores the signals and continues wandering along the seabed. When the Brother must release the sea from his mouth, the waters cover the wayward boy. In sadness the Brother returns home, where he is arrested, tried, convicted, and sentenced to death by beheading.
Happily for the family, the execution never succeeds. The First Brother has opportunity to go home and say farewell to his mother, but it is the Second Brother who returns. His neck of iron turns the executioner’s blade, leading to a revised sentence of death by drowning. The sequence repeats, with each Brother coming in to overcome successive sentences – the Third Brother’s long legs prevent drowning in the sea; the Fourth Brother’s resistance to fire defeats the flames of the execution stake; and the Fifth Brother survives an airless night in a sealed oven. Having failed to execute the offender, and not realizing that his Brothers have taken his place each time, the judge proclaims him innocent.
How simple and how profound is the lesson from this children’s tale. Brothers need one another, each contributing of his abilities to do his essential part in bringing peace and long life to the family and to the nation. That is just as King David said:
Behold, how good and how pleasant it is for brothers to dwell together in unity! It is like the precious oil upon the head, coming down upon the beard, even Aaron’s beard, coming down upon the edge of his robes. It is like the dew of Hermon coming down upon the mountains of Zion; for there the Lord commanded the blessing—life forever. (Psalm 133:1-3 NASB)
In a response to a reader’s question about his works, author Stephen R. Donaldson provided this enlightening comment about the motivation behind his writing:
I’m a storyteller, not a polemicist. As such, my only mission is to help my readers understand my characters and appreciate what those poor sods are going through. (Stephen R. Donaldson Official Website, February 23, 2004)
Donaldson’s best known writings might be categorized as postmodern American science fiction and fantasy literature. The worlds he creates are not the pristine, archetypical fantasy worlds of C.S. Lewis and J.R.R. Tolkien, but darker realms that mirror our present ambiguous reality. Donaldson explores human nature in a secular, relativistic world detached from the moral underpinnings of Christian civilization. Good and evil manifest in the worlds he creates, but they are often uncomfortably intertwined so as to be nearly indistinguishable. Such is the case with his most famous protagonist, the anti-hero Thomas Covenant. In ten novels published over the span of 36 years, Donaldson follows Covenant through three epic quests in The Land, the world of his creation where magic and Earthpower shape the lives of mortals. Covenant is one of the most unlikely heroes in the history of literature: a leper living in present-day America who is magically transported to The Land to save it from destruction by Lord Foul the Despiser. He wears a wedding band of white gold, the source of Wild Magic, which is the greatest power ever known in The Land. He does not know how to wield this power, nor does he desire to do so, yet the dire circumstances of The Land compel him to find a way. Each victory comes at a cost. Ultimately it is Covenant himself who pays the greatest price, and thus he earns not only sympathy, but redemption.
We learn much about power in White Gold Wielder, the last novel of The Second Chronicles of Thomas Covenant. The Elohim, supernatural beings who keep watch over the Earth, “silence” Covenant, placing him in a catatonic state so he will not use his ring unwisely and risk destruction of the world. After Covenant is revived by his companion Linden Avery, Findail of the Elohim explains their actions to her:
The ring-wielder we silenced, not to harm him, but to spare the Earth the ill of power without sight . . . Thus the choice would have fallen to you in the end. His ring you might have taken unto yourself, thereby healing the breach between sight and power. Or perhaps you might have ceded the ring to me, empowering the Elohim to save the Earth after their fashion. Then would we have had no need to fear ourselves, for a power given is altogether different than one wrested away.
Findail’s declaration, “a power given is altogether different than one wrested away,” is a restatement of something taught long ago by One Who understood power:
But Jesus called them to Himself and said, “You know that the rulers of the Gentiles lord it over them, and their great men exercise authority over them. It is not this way among you, but whoever wishes to become great among you shall be your servant, and whoever wishes to be first among you shall be your slave; just as the Son of Man did not come to be served, but to serve, and to give His life a ransom for many.” (Matthew 20:25-28 NASB)
Was Sam Houston a Cherokee? It is a fair question. The man who won independence for the Republic of Texas at the Battle of San Jacinto had spent many years with the Cherokee nation. His first contact with the tribe occurred in his youth, when his family moved from their home in Virginia to Tennessee. He learned their ways and their language, was adopted by a chief of the tribe, and in time represented the Cherokee people to the United States government. Houston even took a Cherokee wife: Tiana Rodgers, daughter of a Scottish trader who had married into a prominent Cherokee family. Houston’s marriage with Tiana was never recognized in white society, but they were legally married under Cherokee law. Even after he had returned to white society, Houston never remarried until after Tiana’s death.
But the fact is that Sam Houston did return to white society. In 1832 he moved to the Mexican territory of Texas, and within four years had secured independence for Texas, forever linking his name with that great state. Today, over 150 years since his death, Houston is remembered as a military hero and statesman, serving the Republic of Texas as its general and elected president, and the State of Texas as its senator and governor. Houston is also the only man ever to have served as governor of both Tennessee and Texas. These are the things that might come to mind when one thinks of Sam Houston, but what does not come to mind is his identity as a Cherokee.
Houston’s identity in history is the result of his own choice. Had he remained with his adopted people, he would have been remembered as one of many non-Indian white and black people who became members of various Native American tribes. Yet he chose otherwise, and therefore his Cherokee identity is merely a footnote of history.
It was the other way with our ancient Israelite ancestors. Once they chose to become united with the tribes of Jacob’s sons, their previous identities became footnotes, lost forever in the sands of time.
וַיַּקְהֵל / פְקוּדֵיּ
What is the secret of the success of Star Trek? Since 1966 three generations of science fiction fans have followed the adventures of four separate crews on the starship Enterprise, as well as other heroes of Gene Roddenberry’s creation through six TV series and 12 movies. There must be something more to the Star Trek universe than adventure stories, special visual effects, and outlandish aliens. Perhaps it is that Star Trek provides us with an opportunity to imagine, to push the boundaries of what is “real”, at least according to what we encounter in our everyday lives.
Certainly that was a key ingredient in the original series, the popularity of which has long outlived the three short seasons it was on the air. In 1987, Star Trek: The Next Generation picked up the mantle and carried on that boundary-pushing tradition. In “Where No One Has Gone Before”, the fifth episode of its first season, a propulsion expert named Kosinski (Stanley Kamel) comes aboard the USS Enterprise to make modifications to the ship’s engines that will enhance their performance. What we soon learn is that Mr. Kosinski’s equations are meaningless by themselves; the real power behind the modifications is the presence of Kosinski’s assistant, an alien known only as the Traveler (Eric Menyuk). In the first test, the Enterprise moves faster than ever thought possible into a region of space far beyond our galaxy, a result which astonishes not only the ship’s officers, but Kosinski as well. Only young Wesley Crusher (Wil Wheaton) notices the Traveler’s role in the proceedings. As the officers argue among themselves, he draws near to the Traveler to learn the truth. Their conversation includes a very interesting bit of dialogue:
Wesley: Is Mister Kosinski like he sounds? A joke?
Traveler: No, that’s too cruel. He has sensed some small part of it.
Wesley: That space and time and thought aren’t the separate things they appear to be? I just thought the formula you were using said something like that.
Later in the episode, the Traveler explains, “You do understand, don’t you that thought is the basis of all reality? The energy of thought, to put it in your terms, is very powerful.” And with that we have an articulation from a fantastic science fiction television show of a profound truth first explained by Moses 3,500 years ago.
No one remembers the kings of Arnor. Why should they? After all, they existed only in the imagination of J.R.R. Tolkien. Yet if they had never existed there, the world would never have become acquainted with Aragorn, or with the Hobbits who helped him reestablish his kingdom. The great drama of Middle Earth is now etched in popular culture thanks to the cinematic artistry of Peter Jackson. It is a great credit to Jackson and his team that they drew from the deep wells of Tolkien’s works to portray the indispensable back-story of The Lord of the Rings and The Hobbit, but that story probably escaped the notice of most of the audience.
In Tolkien’s world, the noblest people among the Men of Middle Earth were the Númenóreans, a people whose kingdom in the midst of the sea was destroyed by a great flood like that which inundated the legendary Atlantis. Under the leadership of Elendil and his sons Isildur and Anárion, the survivors of Númenor established a new kingdom in the western part of Middle Earth. Elendil divided his realm, placing Anárion on the throne of the Southern Kingdom of Gondor, and retaining for himself the title of High King as he ruled over the Northern Kingdom, Arnor. When Elendil died, Isildur took his place as High King, ruling from Arnor. Over time Arnor declined and failed, but the line of Isildur continued through the Dúnedain, or Men of the West, a diminished and scattered people known more popularly as Rangers. Gondor continued on in great strength, but the line of kings descended from Anárion ceased when the last king, Eärnur, died childless. Tolkien thus created a great irony in his literary world: a king with no kingdom, and a kingdom with no king.
This is the setting for The Lord of the Rings. Those who have seen the movies know that Aragorn the Ranger eventually became king of Gondor, but few realize that his coronation was the culmination of the long-awaited rebirth of the Númenorean realm and reunification of the Northern and Southern kingdoms. Those events could never have happened if the Dúnedain had ceased to exist. According to Tolkien’s work, they remained few in number after the destruction of Arnor, but their vigilant watch ensured a measure of peace in the lands of the North. Although all but forgotten by the people of Gondor, the Dúnedain worked quietly behind the scenes to strengthen the Southern Kingdom’s stand against the growing evil of Sauron. Then, when all hope seemed lost, the heir of Elendil appeared in the greatest hour of need, bringing new life to long-dead hopes and dreams.
A major component of Tolkien’s works is identity: as long as the Dúnedain and the people of Gondor remember who they are, no enemy can defeat them. They may be overwhelmed and diminished, but a remnant will remain and will in time prosper anew. And whether Professor Tolkien realized it or not, his literary works depict something very real in the works of God: the identity, redemption, and restoration of all Israel.
It has been more than 500 years since Christopher Columbus mistakenly identified the indigenous peoples of the Americas as “Indians”, and yet that name has remained the popular collective label for the many hundreds of nations more accurately identified by their own names, such as Arawak, Pequot, Lakota, Yaqui, Quechua, and Navajo. Many of these nations have ceased to exist, the victims of disease, war, enslavement, and cultural genocide. Others have come into existence as dispersed and diminished peoples have merged to make new nations. Still others have persisted in their identity to this day, enduring beyond hope as distinct peoples. All of those things describe the Seminole Nation, which now resides in the states of Oklahoma and Florida. The Seminoles did not become a distinct people until late in the 18th century, when remnants of the Muskogee (Creek) and other peoples of Florida and what is now Georgia and Alabama combined to form a new nation. The Spanish called them cimarrones, meaning runaways, or free people. This term referred to the fact that the tribe included many escaped slaves, both African and Native American, who had joined with others from broken, scattered tribes. In the Muskogee tongue, cimarrones became semulon-e, and eventually Seminole.
This people who originally were not a people soon developed a strong sense of national identity which compelled them to resist all efforts to conquer them. They fought against the Spanish, the English, the Creeks, and, inevitably, the Americans. Three bitter wars from 1817 to 1858 left the Seminole Nation broken and divided, but still unconquered. Most of the surviving Seminoles were removed by the United States government to Oklahoma, but a remnant remained in the swamps of southwestern Florida, where they remain to this day. The Florida Seminoles are unique among Native American peoples in that they alone have never signed a treaty of peace with the United States. Those who were removed to Oklahoma may have agreed to peace with the U.S., but they maintained a fierce independence in their new land. Efforts to integrate them into the Creek Nation of Oklahoma met with determined resistance. In time the Seminole remnant in Oklahoma reestablished their tribal identity, and today exist as a separate and distinct nation.
It may come as a surprise, but the greatest story in the Bible is about a nation created from a people who were not a people. The tale begins with the account of Joseph and his brothers, but the story as yet has no ending.
Everyone knows about Joseph and his fancy coat. He was the one with the dreams of greatness about how his brothers and his parents would bow down to him. Joseph was the favorite son, the one his father loved best, and the one who seemed to rub that in the faces of his brothers. That’s why they hated him and tried to kill him, and that’s why they sold him into Egypt as a slave. Everyone knows that story, and they know how Joseph was thrown into prison because his Egyptian master’s wife falsely accused him of attempted rape. They know what happened next: that while in prison Joseph interpreted the dreams of Pharaoh’s chief butler and baker, and eventually that’s what opened the way for him to get out of prison. Even people who have never read the Bible know Joseph’s story. It makes for good theater, as Sir Andrew Lloyd Webber and Sir Tim Rice showed us with Joseph and the Amazing Technicolor Dreamcoat, and as we learned with the DreamWorks animated movie, Joseph: King of Dreams. That’s why I’m not going to write about Joseph. I’m going to write about the awkward and uncomfortable story of his older brother Judah.