Tag Archive | Canaan

Fox Byte 5775 #48: Shoftim (Judges)

שֹׁפְטִים

The Senate as a Court of Impeachment for the Trial of Andrew Johnson, by Theodore R. Davis. Illustration in Harper's Weekly, April 11, 1868.

“The Senate as a Court of Impeachment for the Trial of Andrew Johnson”, by Theodore R. Davis. Illustration in Harper’s Weekly, April 11, 1868.

What does it take to remove a head of state?  This question concerns situations in which a nation finds cause to remove a leader before the established time.  A survey of history informs us that such circumstances usually involve war and upheaval.  The incumbent, whether a king or a prime minister, is not inclined to surrender power, and therefore must be compelled to give it up, often on pain of death.  In consideration of this state of human affairs, the Founding Fathers of the United States established a procedure by which presidents might be impeached, or removed from office.  The product of their deliberations appears in Article II, Section 4 of the Constitution:

The President, Vice President and all civil Officers of the United States, shall be removed from Office on Impeachment for, and Conviction of, Treason, Bribery, or other high Crimes and Misdemeanors.

And that is all they have to say on the matter – which is why jurists for nearly 230 years have debated exactly what they meant.

The Founders certainly understood the seriousness of the question.  They had just gone through a lengthy and painful process of removing King George III as head of state over the American colonies by the extreme measure of extricating the colonies from the king’s domain and establishing a separate sovereign nation.  Their attempts at less drastic measures had not sufficed, leaving them no option but the usual method of war and upheaval.  That is why they sought to limit the power of the president, providing a method of removal by legislative and judicial means.  The grounds for removal would have to be well established, which is why the Constitution specifies the obvious transgressions of treason and bribery.  But what exactly are “high crimes and misdemeanors”?  This is where it gets interesting, and frustrating to those who desire to remove an incompetent, unpopular, or abusive president.

The Founders sought not only to prevent abuse of power in the Office of the President, but also to protect the dignity of the office and ensure continuity of government.  Succeeding generations have understood this, which is why only three presidents have been the subject of impeachment proceedings.  President Richard Nixon resigned before Congress could vote on articles of impeachment for his abuse of power.  Had he not done so, it is likely he would have been the only president ever removed from office.  Congress did impeach Presidents Andrew Johnson and Bill Clinton on charges stemming from their obstruction of Congress and abuse of power, but acquitted both men – not because the charges were unfounded, but because of the political motivations behind the impeachment proceedings.  Under such circumstances, their removal would have brought immense harm to the Office of the President and its foundation in the organic law of the United States.

One might wish that the Founding Fathers had been more specific in the standards they expected of people holding high office.  Then again, how much more specific did they need to be in a Christian culture based on the rule of law derived from the Bible?  Their understanding of God’s requirements for public leaders shaped their creation of the Government of the United States, leading them to do as YHVH did:  provide just enough detail to establish wise government under the principles of justice and mercy.

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Fox Byte 5775 #47: Re’eh (See)

רְאֵה

Farmer Maggot and his dogs. (Source: Deviant Art, ©2010-2015 ringbearer80)

Farmer Maggot and his dogs. (Source: Deviant Art, ©2010-2015 ringbearer80)

It is understandable why Peter Jackson had to take considerable license with The Lord of the Rings when he brought J.R.R. Tolkien’s mammoth work to the screen, and yet his choices inevitably brought disappointment to Tolkien aficionados.  Why, for example, did Jackson choose to minimize the presence of Farmer Maggot?  Tolkienists take issue with the fact that his role in The Fellowship of the Ring was diminished to the point of insignificance.  In the book, Farmer Maggot saved Frodo and his companions as they fled the Shire, giving them provision and helping them elude Sauron’s dreaded Black Riders.  It was unexpected help, for Frodo had considered Farmer Maggot an enemy.  As a child Frodo had taken a liking to Maggot’s mushrooms, and on more than one occasion absconded with portions of the good farmer’s crop.  Such youthful mischief roused Maggot’s anger, compelling him to chase Frodo from his land and threaten him with his very large dogs should he ever return.  And so it was that Frodo grew up fearing Farmer Maggot, never knowing that beneath his fierce anger lay a loyal, generous, and hospitable heart.  Thanks to the mediation of his companion Pippin, and to the dire need of the moment, Frodo at last gained opportunity to get to know the real Farmer Maggot.  He explained as much as they prepared to leave Maggot’s home:

Thank you very much indeed for your kindness!  I’ve been in terror of you and your dogs for over thirty years, Farmer Maggot, though you may laugh to hear it.  It’s a pity:  for I’ve missed a good friend.

Frodo’s words present us with an all-too-familiar and all-too-tragic reality.  How often have individuals, families, and nations remained at odds over ancient offenses, the causes of which are long forgotten?  How much suffering has multiplied on the earth because natural allies regard each other as enemies, or at least minimize their contact with each other out of mistrust and misbegotten fear?  And how much greater is that tragedy if the people who regard each other in this way are the two parts of YHVH’s people?  In truth, Moses and Yeshua have no contradictions or arguments, but their followers think they do, and for that reason Jews and Christians have separated themselves from one another for twenty centuries.

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Fox Byte 5775 #46: Eikev (Because)

עֵקֶב

Since the first stage production of Of Mice and Men in 1937, the play has gripped audiences and readers for its deep and disturbing probe into human nature. It has also spawned innumerable parodies and references in popular culture that have diluted the power of the piece. (Photos: Lon Chaney Jr & Burgess Meredith in the film 'Of Mice and Men' in 1939, Chris O'Dowd & James Franco in 'Of Mice and Men' in 2014 on Broadway, from "Dogs, Bromance & James Franco: 12 Things Your English Teacher Didn’t Tell You About Of Mice and Men", by By Pete Croatto, April 12, 2014, Broadway.com)

John Steinbeck’s Of Mice and Men has gripped audiences with its disturbing probe of human nature since 1937.  (Photos: Lon Chaney Jr & Burgess Meredith in the 1939 film version; Chris O’Dowd & James Franco in the 2014 Broadway production, from “Dogs, Bromance & James Franco: 12 Things Your English Teacher Didn’t Tell You About Of Mice and Men”, by By Pete Croatto, April 12, 2014, Broadway.com)

What is this tendency of human minds to discard unpleasant things and cling to what is pleasant, nice, and amusing?  This can be useful in remembering loved ones who pass from this earth.  Whatever annoyances or difficulties they presented us in life fade from our memories, leaving only the glow of happy moments – of childhood kindnesses, of good smells and kind voices, of triumphant moments when a cooperative effort and patience brings victory over a harsh trial.  This is good, but in truth these happy things have no meaning if not set apart by the unhappy things.

This truth of life has its reflection in art.  Consider, for example, Of Mice and Men, a tragedy penned in 1937 by John Steinbeck to portray the pain of American society in the midst of the Great Depression.  It is the tale of George and Lennie, two migrant farm workers in California with a dream of owning a farm of their own one day.  From the opening of the play we see that Lennie labors under mental challenges that make him unable to care for himself.  He depends on George to keep him out of trouble and think for both of them.  All he knows is that he likes to pet nice, soft things with his fingers, and that one day when he and George have a place of their own, he can tend the rabbits they will raise.  Lennie is simple, kind, trusting, and hardworking, but he does not know his own strength.  The soft things he pets often end up dead.  At first it is a mouse, then a puppy, and finally a flirtatious woman who invites him to stroke her hair.  This last “bad thing” is something George cannot fix except by ensuring Lennie will never hurt anyone again.  The play ends as George tells Lennie one more time about the rabbits, and then takes his life.

The quintessential parody of Of Mice and Men appeared in the 1961 Looney Toons short, The Abominable Snow Rabbit". (Photo © Warner Bros. Entertainment, Inc., used by permission of the Chuck Jones Center for Creativity)

The quintessential parody of Steinbeck’s work appeared in the 1961 Looney Toons short, “The Abominable Snow Rabbit”. (Photo © Warner Bros. Entertainment, Inc., used by permission of the Chuck Jones Center for Creativity)

Steinbeck lived to see his sublime tragedy dismembered and parodied in superficial popular culture, beginning with animated cartoons.  As Of Mice and Men became an Oscar-nominated film in 1940, Warner Brothers gave birth to a new American icon, Bugs Bunny.  It did not take long before Lennie’s simpleminded fixation with furry rabbits became a standard feature in Looney Toons shorts, reaching a climax in 1961 with “The Abominable Snow Rabbit”.  In the cartoon Lennie becomes an Abominable Snowman in the Himalayas who encounters Bugs Bunny and Daffy Duck.  Mistaking Daffy for a rabbit, the snowman picks him up and utters these now-famous words:

Just what I always wanted.  My own little bunny rabbit.  I will name him George, and I will hug him and pet him and squeeze him and pat him and pet him and rub him and caress him.

With these lines, this absurd cartoon illustrates how distorted shadows supplant what is unpleasant and tragic, leaving only a form of the truth, but lacking its power.  Those who have no knowledge of Steinbeck’s story will laugh at the cartoon, but they remain ignorant of the full context, and are thus robbed of the life lessons Steinbeck sought to impart.  The same is true of those who take the Bible in sound bites rather than in its full context, including these words of Moses:

And He will love you and bless you and multiply you; He will also bless the fruit of your womb and the fruit of your land, your grain and your new wine and your oil, the increase of your cattle and the offspring of your flock, in the land of which He swore to your fathers to give you.  (Deuteronomy 7:13 NASB)

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Fox Byte 5775 #45: Va’etchanan (And I Pleaded)

וָאֶתְחַנַּן

Left to right: Vittorio Orlando (Italy), David Lloyd George (Great Britain), Georges Clemenceau (France), Woodrow Wilson (United States).In a sense one might say that this present global system is Woodrow Wilson’s fault.  The Armistice that ended the hostilities of World War I on November 11, 1918, took shape after the German Empire embraced President Wilson’s Fourteen Points as the basis for negotiating peace with the Allies.  Wilson had presented the Fourteen Points in a speech to Congress at the beginning of 1918 as his proposal for ending the war and reshaping the world so that such a massive conflict could never happen again.  A better world might have been the outcome had his plan been adopted in its entirety, but, sadly, it was not to be.  Wilson personally led the American negotiating team to the Paris Peace Conference at Versailles in 1919, but during the lengthy proceedings he became gravely ill.  The other Allied leaders took advantage of his illness to turn the peace conference into a revenge conference.  Many of Wilson’s principles found their way into the Versailles Treaty and subsequent agreements, but not as he intended.  The fruit of Versailles was a vindictive dismemberment of the German, Austro-Hungarian, and Ottoman empires, along with a humiliating disarmament of Germany and assessment of a war reparations debt that the German nation finally finished paying 92 years later.  The Versailles Treaty did incorporate Wilson’s vision of a League of Nations, the predecessor to the United Nations, but the President’s own people rejected it.  When the US Senate refused to ratify the Treaty of Versailles, the United States turned away from an active role in managing the community of nations, thereby ensuring that the League of Nations would be nothing more than a hollow shell.

It is easy to summarize the Fourteen Points.  They call for open negotiations among nations, freedom of the seas, free trade, disarmament to the greatest extent possible, evacuation and restoration of territories occupied during the war; “autonomous development” (a fancy way of saying independence) of peoples under the rule of the world’s great empires, readjustment of borders to reflect lines of nationality, and establishment of the League of Nations to oversee this new international order.  The summary, however, does not convey the enormity of the tasks involved in implementing each point.  Consider just one point:  establishment of an independent Poland.  That single act required dismemberment of three empires; creation of a Polish government with power and resources to run the country; international recognition and assistance; and a host of other actions to ensure Poland’s unhindered reentry into the community of nations after nearly 120 years of foreign occupation.  It would be foolish to think that Wilson’s Fourteen Points were the only items under consideration in the Allies’ peace deliberations.  In truth, they were only the beginning of the process, not the end.

This should remind us of something in Scripture.  The analogy dawned immediately on President Georges Clemenceau of France.  On hearing of the Fourteen Points, he is reported to have said,

Quatorze?  Le bon Dieu n’a que dix.  (Fourteen?  The Good Lord only has ten.)

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Fox Byte 5775 #44: D’varim (Words)

דְּבָרִים

"The King and Queen inspecting the tarts", by Sir John Tenniel, Alice’s Adventures in Wonderland (1865).

The King and Queen inspecting the tarts”, by Sir John Tenniel, Alice’s Adventures in Wonderland (1865).

One wonders whether Lewis Carroll required chemical substances to help him create the absurd worlds of his literature.  Readers of Alice’s Adventures in Wonderland and audiences of the screen and stage adaptations thereof often conclude that the author – whose real name was Charles Dodgson – must have been on opium or some other sort of mind-altering substance fashionable in Victorian England.  If we are to believe the Lewis Carroll Society of North America and other authoritative sources, there is no truth in such allegations.  How, then, could a rational man come up with such outrageous fiction, creating characters and situations that defy logic and even sanity?  Most likely Carroll would have explained in the same way C.S. Lewis explained how he could create the diabolical correspondence of the demon Screwtape a generation later:

Some have paid me an undeserved compliment by supposing that my Letters were the ripe fruit of many years’ study in moral and ascetic theology.  They forgot that there is an equally reliable, though less creditable, way of learning how temptation works. “My heart”—I need no other’s—“showeth me the wickedness of the ungodly.”  (C.S. Lewis, 1961.  The Screwtape Letters with Screwtape Proposes a Toast.  New York:  MacMillan.)

What Professor Lewis tells us is that all humans have the capacity to imagine evil, and to act upon it once it is imagined.  Evil is abnormal; the opposite of good and right and true.  If our hearts are inclined toward evil, they are also inclined toward everything else that is contrary to good and right and true – things which are unsuitable, wrong, and illogical.  That is why Carroll can depict an absurd criminal trial with such success.  The King and Queen of Hearts sit as judges to determine the guilt or innocence of the Knave, who stands accused of having stolen the Queen’s tarts.  As judge, the King has trouble getting beyond his instructions to the jury to consider the verdict before any evidence has been given.  As witnesses, the Mad Hatter and the Knave say nothing of substance, and throughout the trial no one seems to care that the stolen tarts are there in the courtroom, presumably having been returned by the thief.  The trial ends with a mockery of due process of law as the Queen says, “Sentence first—verdict afterwards”, and then pronounces summary judgment on Alice:  “Off with her head!”

The sad thing about this trial is that it is not far removed from reality.  For much, perhaps most, of history unjust judges have made people’s lives miserable and shorter than they should be.  This is true even for judges among the people of God, which is why in promising to restore His nation of Israel, YHVH delivers this glowing promise:

“Then I will restore your judges as at the first, and your counselors as at the beginning; after that you will be called the city of righteousness, a faithful city.”  Zion will be redeemed with justice and her repentant ones with righteousness.  (Isaiah 1:26-27 NASB)

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Fox Byte 5775 #42-43: Mattot (Tribes); Massei (Stages)

מַּטּוֹת / מַסְעֵי

The Princes in the Tower. John Everett Millais, depicts the young King Edward V of England and his brother, Richard, Duke of York, two royal sons allegedly murdered by order of their uncle, King Richard III, who sought to deprive them of their rightful inheritance and claim the throne of England for himself.

The Princes in the Tower. by John Everett Millais, depicts the young King Edward V of England and his brother, Richard, Duke of York, two royal sons allegedly murdered by order of their uncle, King Richard III, who sought to deprive them of their rightful inheritance and claim the throne of England for himself.

William Shakespeare has such as way with murder.  With so many characters meeting violent death in his plays it would seem that he regarded murder as an essential part of good drama.  Richard III is an excellent example.  When my daughter studied the play in school, she and her fellow students kept a “body count” of the many characters who died over the course of Richard’s rise to power.  Shakespeare’s preoccupation with murder may have been the product of the violent world in which he lived, and indeed England in the 16th century was a violent place, yet we need only look at the headlines of events in our own cities to realize that our world is no less violent than Shakespeare’s.  If the Bard had no qualms about employing murder as a plot device, it was because his art imitated life.  Richard III was a historical play based on events that shook the British Isles just one hundred years earlier.  The play’s popularity derived in part from the horrendous nature of Richard’s quest for power, extending even to allegations that in 1483 he ordered the deaths of his two nephews, the 12-year-old King Edward V and his younger brother Richard, Duke of York.  Their uncles’ guilt has never been proven, but it is plausible that he removed them so they would not stand in the way of his quest to seize the throne of their father, the late Edward IV.

Richard III is not the only Shakespearian villain to usurp a throne and seize the inheritance of a rightful heir.  Two others that come to mind are MacBeth of Scotland and Claudius of Denmark.  Although not historical plays, MacBeth and Hamlet have roots in actual events.  The central action of MacBeth occurs when the warrior of that name murders King Duncan of Scotland.  Duncan’s sons, fearing they will be blamed for the murder, flee the country, allowing Macbeth to take the throne.  In Hamlet, we do not see the murder of Denmark’s king; when the play opens his brother Claudius has already seized the throne by killing him and marrying his queen.  The plot follows Prince Hamlet as he learns the truth of his father’s death and his uncle’s guilt. 

As was necessary for Richard III, MacBeth and Claudius must deal with the heirs to the murdered kings.  MacBeth prepares to defend Scotland against the exiled princes Malcolm and Donalbain, and Claudius concocts a plot to have Hamlet killed in a duel by an opponent wielding a poisoned blade.  In the end all three villains meet violent deaths.  Richard and MacBeth fall in battle as their own countrymen rise in revolt against them, and Claudius is slain by Hamlet himself just before the young prince dies.

Shakespeare’s works have remained popular for over 400 years because they really do imitate life, even to a disturbing degree.  In these plays we see that an inheritance is not secure even if there are sons ready to claim their fathers’ legacy.  What worse things might the villains have done had there been no sons and heirs?  Who would ensure that the bereaved family retained their place in the nation?  That very question prompted the tribe of Manasseh to ask Moses for guarantees not only for their brethren who had no sons, but for the entire tribe’s legacy in the Promised Land.

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Fox Byte 5775 #37: Sh’lach L’cha (Send For Yourself)

שְׁלַח־לְךָ

The Meeting of Dido and Aeneas Sir Nicholas Dance-Holland

The Meeting of Dido and Aeneas
Sir Nicholas Dance-Holland

About the time that Gideon of Manasseh delivered Israel from oppression of the Midianites and Amalekites (Judges 6:1-8:35), a war of (literally) epic proportions took place on the northwest coast of what is now Turkey.  The Trojan War really did happen, but the conflict was already wrapped in myth and legend when a Greek poet known only as Homer published The Iliad sometime around 750 BCE, four centuries after the war’s generally accepted dates of 1194-1184 BCE.  Homer’s epic inspired a number of classical works telling the tales of the Greeks and Trojans, including a sequel published in Latin seven hundred years later.  When the Roman poet Virgil wrote The Aeneid, he probably had a political agenda in mind.  His story is that of Aeneas, a Trojan hero of the royal family who escaped the destruction of the city and led a band of refugees in a journey that eventually resulted in their settlement at the mouth of the Tiber River in Italy.  There they became part of the story of Rome, a city which began as a colony of Alba Longa, the capital of the new kingdom Aeneas and his descendants founded.  Thus Rome could trace its origins at least in part to Troy.  More importantly, the family of Julius Caesar traced its genealogy to Aeneas, giving it a claim to royalty that helped Caesar’s nephew Octavian consolidate his power as Caesar Augustus.  Whether true or not, Virgil’s epic, written early in Augustus’ long reign, cemented the link of the Caesars with Aeneas and Troy in the minds of Romans, making it one of the most successful pieces of literary propaganda ever published.

Even if the Caesar’s claims were falsified, and even if Aeneas never existed outside of classical literature, his tale is an illustration of the remnant:  those who remain.  Whether it is Ishmael surviving to tell the story of Captain Ahab and Moby Dick, or Job’s servants fleeing disaster to report to him (Job 1:13-22), fact and fiction throughout the human experience have featured a fortunate few who escape.  The remnant has the task of carrying the memory of those who went before, of rebuilding what they lost, and of achieving their ultimate destiny.  These remnant tales would have little impact on us if they were not a common feature in reality.  The remnant is a continuous reminder in Scripture that God’s judgment is tempered with mercy in the expectation that a people will at last be able to step into the fullness of the promises YHVH has spoken from beginning of time.

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Fox Byte 5775 #36: Beha’alotcha (In Your Going Up)

בְּהַעֲלֹתְךָ

Stephen R. Donaldson (Photo by  Danacea on Flickr.com via via Wikimedia Commons)

Stephen R. Donaldson (Photo by Danacea on Flickr.com via Wikimedia Commons)

In a response to a reader’s question about his works, author Stephen R. Donaldson provided this enlightening comment about the motivation behind his writing:

I’m a storyteller, not a polemicist.  As such, my only mission is to help my readers understand my characters and appreciate what those poor sods are going through.  (Stephen R. Donaldson Official Website, February 23, 2004)

Donaldson’s best known writings might be categorized as postmodern American science fiction and fantasy literature.  The worlds he creates are not the pristine, archetypical fantasy worlds of C.S. Lewis and J.R.R. Tolkien, but darker realms that mirror our present ambiguous reality.  Donaldson explores human nature in a secular, relativistic world detached from the moral underpinnings of Christian civilization.  Good and evil manifest in the worlds he creates, but they are often uncomfortably intertwined so as to be nearly indistinguishable.  Such is the case with his most famous protagonist, the anti-hero Thomas Covenant.  In ten novels published over the span of 36 years, Donaldson follows Covenant through three epic quests in The Land, the world of his creation where magic and Earthpower shape the lives of mortals.  Covenant is one of the most unlikely heroes in the history of literature:  a leper living in present-day America who is magically transported to The Land to save it from destruction by Lord Foul the Despiser.  He wears a wedding band of white gold, the source of Wild Magic, which is the greatest power ever known in The Land.  He does not know how to wield this power, nor does he desire to do so, yet the dire circumstances of The Land compel him to find a way.  Each victory comes at a cost.  Ultimately it is Covenant himself who pays the greatest price, and thus he earns not only sympathy, but redemption.

We learn much about power in White Gold Wielder, the last novel of The Second Chronicles of Thomas Covenant.  The Elohim, supernatural beings who keep watch over the Earth, “silence” Covenant, placing him in a catatonic state so he will not use his ring unwisely and risk destruction of the world.  After Covenant is revived by his companion Linden Avery, Findail of the Elohim explains their actions to her:

The ring-wielder we silenced, not to harm him, but to spare the Earth the ill of power without sight . . . Thus the choice would have fallen to you in the end.  His ring you might have taken unto yourself, thereby healing the breach between sight and power.  Or perhaps you might have ceded the ring to me, empowering the Elohim to save the Earth after their fashion.  Then would we have had no need to fear ourselves, for a power given is altogether different than one wrested away.

Findail’s declaration, “a power given is altogether different than one wrested away,” is a restatement of something taught long ago by One Who understood power:

But Jesus called them to Himself and said, “You know that the rulers of the Gentiles lord it over them, and their great men exercise authority over them.  It is not this way among you, but whoever wishes to become great among you shall be your servant, and whoever wishes to be first among you shall be your slave; just as the Son of Man did not come to be served, but to serve, and to give His life a ransom for many.”  (Matthew 20:25-28 NASB)

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Of Pharaohs and Free Will

Ramesses II storming the Hittite fortress of Dapur.  He was the most famous and powerful Pharaoh of Egypt's New Kingdom, but contrary to prevailing opinion he was not the Pharaoh who withstood Moses.

Ramesses II storming the Hittite fortress of Dapur. He was the most famous and powerful Pharaoh of Egypt’s New Kingdom, but contrary to prevailing opinion he was not the Pharaoh who withstood Moses.

Of all the pharaohs who ruled Egypt over the course of ancient history, only one had the dubious honor of facing Moses in a contest to see whose God was greater.  We may not know exactly which pharaoh he was, but he most certainly was not Ramesses II.  Such is filmmaker Timothy Mahoney’s conclusion in his astounding documentary, Patterns of Evidence:  Exodus.  Mahoney presents a compelling case for reconsidering the accepted timeline of ancient Egyptian history.  He bases his case on considerable evidence that Israel’s presence in Egypt, the Exodus, and the conquest of Canaan actually happened two or three hundred years earlier than has been supposed.

For centuries we have assumed that Raamses II was the Pharaoh of the Exodus because of this verse:

So they appointed taskmasters over them to afflict them with hard labor.  And they built for Pharaoh storage cities, Pithom and Raamses.  (Exodus 1:11 NASB)

Indeed there was a city named Raamses (or Ramesses) in Goshen, the region of Egypt where the Hebrews lived, but it was not known by that name in the days when the Hebrews lived there.  Underneath the ruins of Raamses are the ruins of an even older city called Avaris.  The archaeological evidence indicates that a Semitic people lived there, that they were at one point prosperous and powerful, that they became enslaved, and that they left quite suddenly.  However, until now no one has seriously considered that these were the Hebrews simply because the evidence at Avaris does not fit the accepted Egyptian chronology.  Yet if we were to adjust that chronology a bit based not only on the discoveries at Avaris, but also on discoveries elsewhere in Egypt, as well as in Canaanite cities such as Jericho, evidence of the Exodus would abound.  Furthermore, such a chronological adjustment would resolve numerous gaps and mysteries in the chronologies of other ancient civilizations.  Mahoney has done a fine job gathering and presenting his evidence.  No doubt there will be many questions and much debate on his conclusions, but his presentation merits serious review and investigation.

It is probably no coincidence that Patterns of Evidence appeared just as the Torah cycle is working through the Exodus story.  Although not as visually stunning as Mahoney’s cinematography, AlephBeta Academy’s video offerings impart considerable understanding of God’s workings among the people of Egypt and Israel.  It may surprise Christian viewers to learn that Judaism embraces the doctrine of free will, and that the account of the Ten Plagues reveals the workings of free will in the context of God’s ultimate sovereignty.  Watch these two videos as Rabbi David Fohrman explains these profound concepts in a very Jewish way.

 


© Albert J. McCarn and The Barking Fox Blog, 2014-2015.  Permission to use and/or duplicate original material on The Barking Fox Blog is granted, provided that full and clear credit is given to Albert J. McCarn and The Barking Fox Blog with appropriate and specific direction to the original content.

The Shemitah and The Yovel:  Examining The Relevance of God’s Appointed Times, Part VIII

Walking Through The Open Gate

The Vision of the Dry Bones is the most graphic illustration of God's promised restoration of the Kingdom of Israel.  The establishment of the State of Israel opened the way for Judah (the Jewish portion of Israel) to return to the land, but to the way for Ephraim (Northern Israel) is only now beginning to open.  (Ezekiel's Vision, The Coloured Picture Bible for Children, available on Mannkind Perspectives.)

The Vision of the Dry Bones is the most graphic illustration of God’s promised restoration of the Kingdom of Israel. The establishment of the State of Israel opened the way for Judah (the Jewish portion of Israel) to return to the land, but to the way for Ephraim (Northern Israel) has remained closed until now. (Ezekiel’s Vision, The Coloured Picture Bible for Children, available on Mannkind Perspectives.)

An Enduring Standard

We see from Scripture that the Creator’s processes are lengthy, thorough, and often completely different from what humans desire or expect.  This should not be a surprise.  YHVH says quite plainly that His ways are not our ways and His thoughts are not our thoughts.  Nevertheless, He does tell us what we need to know, and He reveals things at the appointed times to those who bother to seek Him.  What we often learn is that the answer has been there all along, but we have never understood it correctly until the right time and until we approach with the right heart.  When it comes to the purpose of the Lord’s processes regarding His people Israel, the answer has been staring at us for about 3,000 years.  He spoke it through Moses to prepare the people for their first great meeting with Him at Sinai:

In the third month after the sons of Israel had gone out of the land of Egypt, on that very day they came into the wilderness of Sinai.  When they set out from Rephidim, they came to the wilderness of Sinai and camped in the wilderness; and there Israel camped in front of the mountain.  Moses went up to God, and the Lord called to him from the mountain, saying, “Thus you shall say to the house of Jacob and tell the sons of Israel:  You yourselves have seen what I did to the Egyptians, and how I bore you on eagles’ wings, and brought you to Myself.  Now then, if you will indeed obey My voice and keep My covenant, then you shall be My own possession among all the peoples, for all the earth is Mine; and you shall be to Me a kingdom of priests and a holy nation.’ These are the words that you shall speak to the sons of Israel.”  (Exodus 19:1-6 NASB, emphasis added)

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