Perhaps the greatest lesson in studying Scripture is questions asked in one part of the book have answers and echoes in other parts – but the sound doesn’t come through clearly unless we lay down our preconceived notions and listen as a little child.
Understanding context requires a lot more effort than we are generally willing to expend.
© Albert J. McCarn and The Barking Fox Blog, 2017. Permission to use and/or duplicate original material on The Barking Fox Blog is granted, provided that full and clear credit is given to Albert J. McCarn and The Barking Fox Blog with appropriate and specific direction to the original content.
There is BIG news for the Messianic/Hebrew Roots movement! The long-awaited documentary by Luke and Kayte Abaffy is now available for preorder!
“The Way, The Truth & The Life: Leaving Churchianity Live Like the Savior” will be released on August 14, 2016. To order copies now, visit the web page at https://www.thewaydoc.com/.
Not sure what “The Way” is about? Check out the newly-released official trailer. . .
. . .and then order two DVDs – one for yourself, and one for a friend.
© Albert J. McCarn and The Barking Fox Blog, 2016. Permission to use and/or duplicate original material on The Barking Fox Blog is granted, provided that full and clear credit is given to Albert J. McCarn and The Barking Fox Blog with appropriate and specific direction to the original content.
Isaac Asimov could have written I, Robot without Karel Čapek’s help, but he would have needed a different word for the artificial life forms featured in his writing. Asimov’s robot stories shifted the paradigms of science fiction by exploring the unintended consequences of creating something smarter and stronger than a human, but without a human’s ethical configuration. For over half a century he probed dark and difficult territory, asking questions and spinning scenarios that remain disturbingly applicable to our present reality. Yet Asimov neither invented the word “robot”, nor initiated the inquiry into the potential nemesis of unbridled technological innovation.
Bad things happen when man plays the role of God, as Mary Shelley demonstrated in 1818 with her first novel, Frankenstein; or, the Modern Prometheus. Shelley brought the question into the modern era, but it was Karel Čapek who mechanized it. Čapek’s play R.U.R. (Rossumovi univerzální roboti; Rossum’s Universal Robots) was a success from its first performance in 1920. The play introduced international audiences to the Czech word robota, meaning hard work, a word rendered into English as robot. The play is not a comedy; in Čapek’s imaginary world the robots are manufactured life forms designed to assist humans, but eventually they rebel and extinguish all human life.
Čapek revived this scenario in War with the Newts, a novel published in 1936 as satire on the hypocritically self-serving international system which enabled Nazi Germany’s dismemberment of Czechoslovakia two years later. It is a humorously dark tale about a race of sentient amphibian creatures discovered in the waters of Indonesia. The newts prove to be swift learners and adept at a multitude of tasks, making them ideal candidates for exploitation not only as workers, but also as undersea warriors. In time the newts, like the robots, rebel, destroying the dry land and turning it into shallow waters suitable for their environmental needs. The nations of the earth find themselves in a war for survival against a global amphibian army. It is a war humanity will not win, but Čapek reveals that the victorious newts will turn on themselves and become the instruments of their own destruction, leaving a remnant of mankind to rebuild the planet.
It is frightful to contemplate the end of one’s world, particularly when the end is justly deserved. Asimov, Shelley, and Čapek relate scenarios of judgment resulting from mankind’s own selfish shortsightedness – playing God, if you will. The element of terror they invoke lurks in the revelation that the instruments of judgment are the works of our own hands. As usual, art imitates life. YHVH renders judgment on those who disregard His standard of righteousness and set up standards of their own – playing God, if you will. Judgment brings a sentence of destruction and death, which is terrifying enough. What makes it more chilling is to learn the name of the one who will bring about the anticipated death and destruction. About 35 centuries ago, the doomed Canaanite civilization experienced that very thing shortly after Moses spoke these words:
It is the Lord your God who will cross ahead of you; He will destroy these nations before you, and you shall dispossess them. Joshua is the one who will cross ahead of you, just as the Lord has spoken. (Deuteronomy 31:3 NASB)
Is it possible to be a hero without paying a price? A hero is one who does something worthy of esteem on behalf of someone else, and that requires sacrifice. Sometimes it requires the sacrifice of a life, and sometimes merely the sacrifice of time and attention. Sometimes heroes save nations, and sometimes they save little children from tears of embarrassment, pain, or grief. Every act of salvation, no matter how small, entails a sacrifice that someone offers willingly. And that is what makes a hero.
We learn about heroes in The Karate Kid, a 1984 film starring Ralph Macchio as Daniel Larusso, a fatherless teenager very much in need of a hero. Daniel suffers a vicious beating by boys from a local martial arts school. He is saved by a humble janitor, Mr. Miyagi (played by Noriyuki “Pat” Morita), who drives off the attackers with a masterful display of karate skills. Before long Mr. Miyagi agrees to teach karate to Daniel. The instruction begins when Miyagi assigns Daniel a number of hard tasks. First he must wash and wax Miyagi’s antique automobiles, using special hand motions to “wax on” and “wax off”. Then he must sand the walkway around Miyagi’s house, paint the fence around the property, and finally paint the house itself. Each task features a specific set of hand motions. After days of arduous labor, Daniel complains that he has learned nothing about karate while working like a slave. Miyagi responds by having Daniel perform the hand motions for each task. He then throws punches and kicks at Daniel, demonstrating that “wax on, wax off”, “sand the floor”, “paint the fence”, and “paint the house” have trained the boy to defend against attacks from many angles. As he blocks Miyagi’s attacks, Daniel realizes the truth: his faithfulness in seemingly unconnected menial tasks has made him ready for further instruction and greater responsibility in the art of karate.
In time Daniel becomes competent at karate and confident in himself as Miyagi’s training transforms him from a self-absorbed braggart into a self-controlled warrior. In the concluding scenes he enters a martial arts tournament where he faces the boys who first attacked him. Each is a formidable opponent, yet while Daniel learned karate as a means of disciplining himself in service of others, they had learned it as a means to exalt themselves over the weak. They do not realize that the humble attitude Miyagi cultivated in Daniel has made him stronger and better able to withstand pain and suffering. Their combined efforts at wounding and weakening Daniel only help him discover deeper wells of strength which in the end bring him victory.
This is a life lesson few are willing to learn. Either we walk humbly in the confidence of our King, or we get eaten by our adversary. As the Apostle Peter says:
You younger men, likewise, be subject to your elders; and all of you, clothe yourselves with humility toward one another, for God is opposed to the proud, but gives grace to the humble. Therefore humble yourselves under the mighty hand of God, that He may exalt you at the proper time, casting all your anxiety on Him, because He cares for you. Be of sober spirit, be on the alert. Your adversary, the devil, prowls around like a roaring lion, seeking someone to devour. (I Peter 5:5-8 NASB)